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Ann Charlotte Leffler and Modernist Drama - True Women and New Women on the Fin-de-siecle Scandinavian Stage (Hardcover)
Loot Price: R2,823
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Ann Charlotte Leffler and Modernist Drama - True Women and New Women on the Fin-de-siecle Scandinavian Stage (Hardcover)
Series: Studies in Nordic Literature and Film, 1
Expected to ship within 12 - 17 working days
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Anne Charlotte Leffler (1849-1892) was the most important European
woman playwright of the last decades of the nineteenth century and
together with Ibsen and Strindberg one of the Scandinavian pioneers
of modern and modernist drama. Lynn R. Wilkinson's Anne Charlotte
Leffler and Modernist Drama is the first full-length study of
Leffler's dramatic production. It argues that Leffler's plays
deserve to be read and performed today alongside those of Ibsen and
Strindberg, as they indeed were during her lifetime, and will serve
as a welcome resource for new productions of her plays and studies
of her work. Born the same year as August Strindberg, Anne
Charlotte Leffler was a far more successful playwright in
Scandinavia and elsewhere during her lifetime. After her death,
however, literary histories dismissed her work as an example of the
propagandistic literature of the Swedish 1880s. But beginning in
the 1970s, revivals of her plays in theaters and on television have
rekindled interest in Leffler and her work. Scoring her first
theatrical success in 1873 with a play about a young actress who
rejects marriage for a career on the stage, Leffler wrote fourteen
plays that were either published or performed in theaters
throughout Scandinavia and Europe - often to considerable critical
acclaim. All address the situation of women, but often in
connection with other issues, such as the exploitation of the
working classes or the repressiveness of late-nineteenth-century
European culture, and in a range of styles. Her feminist classic,
the realist True Women, centers on the conflicts that arise on one
household when a daughter opposes her spendthrift father's claim to
the last of his wife's money. But it premiered together with the
avant-garde one-act A Saving Angel, which depicts in the form of a
dance the unsettling effects of urban sexuality on a group of young
women. And Leffler's last play, The Ways of Truth, is a dream play
that draws on flaneur narratives to show the wanderings of an
intellectual heroine and her companion through scenes from
late-nineteenth-century European life.
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