Many of the most celebrated British films of the immediate post-war
period (1945-55) seem to be occupied with "getting on" with life
and offering distraction for postwar audiences. It is the time of
the celebrated Ealing comedies, Hue and Cry (1946) and Kind Hearts
and Coronets (1949), Dickens adaptations, and the most ambitious
projects of the Archers. While the war itself is rarely mentioned
in these films, the war and the conditions of postwar society lie
at the heart of understanding them. While various studies have
focused on lesser known realist films, few consider how deeply and
completely the war affected British film. Michael W. Boyce
considers the preoccupation of these films with profound anxieties
and uncertainties about what life was going to be like for postwar
Britain, what roles men and women would play, how children would
grow up, even what it meant - and what it still means today - to be
British.
General
Imprint: |
Palgrave Macmillan
|
Country of origin: |
United Kingdom |
Release date: |
March 2012 |
First published: |
February 2012 |
Authors: |
M. Boyce
|
Dimensions: |
216 x 140 x 18mm (L x W x T) |
Format: |
Hardcover - Cloth over boards / With dust jacket
|
Pages: |
212 |
ISBN-13: |
978-0-230-11689-4 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
Promotions
|
LSN: |
0-230-11689-2 |
Barcode: |
9780230116894 |
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