"Shakespeare's Culture in Modern Performance" is an original study
at the interface of a historicizing literary criticism and the
study of modern performance. In a critical climate that views the
cultural object of performance as authentic in itself, is there any
point in exploring a script's original history? The writer argues
for a dialogic understanding of Shakespeare's plays in performance
relative to unresolved issues of modernity, in a study of modern
productions on stage and screen.
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