"Broadway and Corporate Capitalism "examines two overlapping
and, in many ways, symbiotic phenomena of early 20th century
America--the emergence of the Professional-Managerial Class within
American corporate capitalism and the evolution of Broadway.
Michael Schwartz shows how the class movements moved--literally and
figuratively--to the rhythm of noisy, frenetic farces, highly
charged business and sports melodramas, and exuberant musicals.
This book brings to life the representative plays, playwrights,
actors, critics, and audiences from one of the liveliest periods of
Broadway.
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