Lowry's longest and most ambitious project of the mid-1930s was
the autobiographical novel, "In Ballast to the White Sea," about a
Cambridge undergraduate who wants to be a novelist but has come to
believe that both his book and, in a sense, his life have already
been "written" by a Norwegian novelist.
Only decades after Lowry's death in 1957 did it become known
that his first wife, Jan Gabrial, still had a typescript of the
book. "In Ballast to the White Sea"--which Lowry once imagined
would be the "Paradiso" of his trilogy, with "Under the Volcano "as
the "Inferno"and "Swinging the Maelstrom "(or "Lunar Caustic") as
the "Purgatorio"--is one of Lowry's most intensely personal
works.
The introduction places the narrative in relation to Lowry's
sense of himself in the mid-1930s and draws parallels with his
post-Volcano writings such as "Dark as the Grave Wherein My Friend
Is Laid," "La Mordida," and "Through the Panama." The text of the
novel, as well as Chris Ackerley's extensive annotations provide
crucial evidence about Lowry's life and art during the 14 years
between the publication of "Ultramarine "(1933) and "Under the
Volcano "(1947), the only novels he completed and published during
his lifetime.
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