Termeer, the narrator of "A Posthumous Confession," is a twisted
man and a troubled one. The emotionally stunted son of a cold,
forbidding, and hypocritical father, Termeer has only succeeded in
living up to his parents' low expectations when, to his own and
others' astonishment, he finds himself wooing a beautiful and
gifted woman--a woman whose love he wins. But instead of finding
happiness in marriage, Termeer discovers it to be a new source of
self-hatred, hatred that he turns upon his wife and child. And when
he becomes caught up in an affair with a woman as demanding as his
own self-loathing, he is driven to murder.
What is the self, and how does it evade or come to terms with
itself? What can make it go permanently, lethally wrong? Marcellus
Emants's grueling and gripping novel--a late-nineteenth-century
tour de force of psychological penetration--is a lacerating
exposition of the logic of identity that looks backward to
Dostoyevsky, forward to Simenon, and beyond to the confessional
literature, whether fiction or fact, of our own day.
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