Marcia Landy's The Folklore of Consensus examines the theatricality
in the Italian popular cinema of the 1930s and early 1940s, arguing
that theatricality was a form of politics -- a politics of style.
While film critics no longer regard the commercial films of the era
as mere propaganda, they continue to regard the cinema under
fascism as "escapist", diverting audiences from the harsh realities
of life under fascism. The Folklore of Consensus problematizes the
notion of "escapism" examining the complexity that redeems the
films from frivolity and evasion. It shifts the focus from a
preoccupation with cinema as the public and spectacular purveyor of
"fascinating fascism" to a more immediate and intimate terrain that
bears on formulations about the role of mass culture then and now.
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