What is the quality in Shakespeare's dramas which gives them their
perennial human appeal and makes them as popular today as they were
to his own contemporaries? Many Shakespearian critics have sought
to answer this question. Margaret Bennell, however, approaches the
problem by venturing into the relatively untrodden domain of the
inner soul-spiritual development of the dramatist. She illustrates
her study with details from plays, including "Love's Labour's
Lost", "The Merchant of Venice", "Hamlet", "King Lear" and "The
Tempest". She also makes frequent reference to the Rosicrucian
spiritual movement that was a dominant influence of that age. This
is a challenging and informative book, a must for any student of
Shakespeare.
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