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New Interpretive Paradigm in Curating the Contemporary - Objects in Conversations, Fictional Language and Exhibition Design Interventions (Paperback)
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New Interpretive Paradigm in Curating the Contemporary - Objects in Conversations, Fictional Language and Exhibition Design Interventions (Paperback)
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Essay from the year 2013 in the subject Art - Installation /
Action/Performance Art / Modern Art, grade: Distinction, Kingston
University London (Kingston University London, in Partnership with
the Design Museum, London, U.K.), course: MA Curating Contemporary
Design, language: English, comment: "A well researched and well
written essay. Your essay sets out to answer a number of pertinent
and pressing questions for curating and the museum. From here, you
offer a well-balanced critical argument for the shifting paradigm
of contemporary curating. Your choice of references and case
studies are very strong and work together to support the central
argument of your essay. ...]Once again, you have demonstrated an
awareness of the key debates in contemporary design curating and an
ability to tackle challenging curatorial concepts - well done " -
Donna Loveday, abstract: Curating contemporary exhibitions is now
more than a profession of connoisseurship, but rather a creative
and artistic venture. Due to a paradigm shift in the heart of
interpretive ideology, exhibition-making is going more experimental
even in museum context. One might observe that there is a changing
status in museum objects, and a progressive transformation in the
exhibitionary language - shifting from descriptive to fictional,
poetic and novelistic. Artworks are also functioning as text
initiating dialogues, while exhibition designs are no longer merely
fabrications, but becoming artistic interventions that could
re-contextualize the experience of space. Unprecedentedly, curators
nowadays could embrace huge potentials in creating imaginative
narratives for the present time, and thus, to further produce
innovative museum experiences. This essay aims to examine the
changing attitudes and assumptions in the new interpretive
paradigm. Through three case studies, it goes on to uncover the
dynamic interpretive strategies undertaken which have created
various unique curatorial voices. Cases include: The Surrea
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