The closing of the theatres by Parliament in 1642 is perhaps the
best-known fact in the history of English drama. As the
Parliamentary Puritans were then in power, it is easy to assume
that all opponents of the theatre were Puritans, and that all
Puritans were hostile to the drama. The reality was more
interesting and more complicated. Margot Heinemann looks at Thomas
Middleton's work in relation to the society and social movements of
his time, and traces the connections this work may have had with
radical, Parliamentarian or Puritan groups or movements. In the
light of the recent work of seventeenth-century historians we can
no longer see these complex opposition movements as uniformly
anti-theatre or anti-dramatist. The book suggests fresh meanings
and implications in Middleton's own writings, and helps towards
rethinking the place of drama in the changing life of early Stuart
England.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Past and Present Publications |
Release date: |
October 1982 |
First published: |
1980 |
Authors: |
Margot Heinemann
|
Dimensions: |
216 x 138 x 18mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
312 |
Edition: |
New ed |
ISBN-13: |
978-0-521-27052-6 |
Categories: |
Books >
Humanities >
History >
General
Books >
History >
General
|
LSN: |
0-521-27052-9 |
Barcode: |
9780521270526 |
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