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Aesthetics, Disinterestedness, and Effectiveness in Political Art (Hardcover)
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Aesthetics, Disinterestedness, and Effectiveness in Political Art (Hardcover)
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Should politically concerned and engaged artistic production
disregard questions or/and requirements of aesthetic reception and
value? Whether art should be "aesthetic" or "political" is not a
new question. Therefore, in spite of those several contemporary
approaches of this issue, the answer is not set in stone and the
debate is still going on. This volume aims to broaden these debates
and it stems from numerous conversations with politically engaged
artists and artist collectives on issues related to the
"aesthetitzation of politics" versus the "politicization of art,"
as well as the phenomenon of the so-called "unhealthy aestheticism"
in political art. Thus, this study has three interrelated aims:
Firstly, it aims to offer an interdisciplinary account of the
relationship between art and politics and between aesthetics and
the political. Secondly, it attempts to explore what exactly makes
artistic production a strong - yet neglected - field of political
critique when democratic political agency, history from below and
identity politics are threatened. Finally, to illuminate the
relationship between critical political theory, on the one hand,
and the philosophy of art, on the other by highlighting artworks'
moral, political and epistemic abilities to reveal, criticize,
problematize and intervene politically in our political reality.
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