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Books > Social sciences > Politics & government > Political control & freedoms > Political control & influence > Propaganda
The scene: An Indian television journalist is drafted in to lead the setting up of a new 24/7 television news channel in South Africa. The goal: To create a world class news product. This is the story of the three months Rajesh Sundaram, along with a small team of Indian television professionals, took to launch what was to be the biggest news channel in South Africa. However, this launch was not without its wide range of challenges, catastrophes and social media entertainment. From capricious, micro-managing owners who had a political and commercial agenda to the shocking abuse of staff and violation of laws, finally resulting in a tempestuous and very public parting of ways, Indentured is the true story behind the launch of ANN7 - better known as Gupta TV. This is behind the scenes, disclosing a range of delicious stories about the Gupta brothers, and their relationship with Number 9. And yes; you'll be told exactly why he is called Number 9.
On the night of 30 October 2002, eight bomb blasts tore through Soweto,
leaving one woman dead and damaging vital infrastructure. The bombs
were the work of a far-right white Afrikaner separatist group called
the Boeremag, whose stated aim was to overthrow the ruling ANC
government, rid the country of black people and reinstate a new
Boer-administered republic. For months before the bombings, police had
been investigating the terror group and had made several arrests. In
December, after an intense cross-country manhunt, the perpetrators were
finally caught. All in all, 23 men were arrested and charged with high
treason after the police seized explosives, homemade pipe bombs,
weapons and ammunition in arms caches hidden all over the country.
When André de Ruyter took over as Eskom CEO in January 2020, he quickly realised why it was considered the toughest job in South Africa. Aside from neglected equipment, ageing power stations and an eroded skills base, he discovered that Eskom was crippled by corruption on a staggering scale. Fake fuel oil deliveries at just one power station cost Eskom R100 million per month; kneepads retailing for R150 a pair were purchased for R80 000; billions of rands of equipment supposedly housed in the company’s storerooms was missing. Faced with police inaction, he was compelled to plunge into a world that was foreign to him – a world of spies and safe houses, of bulletproof vests and bodyguards. In Truth to Power, De Ruyter tells the behind-the-scenes story of how he launched a private investigation that exposed at least four criminal cartels feeding off Eskom. While fighting this scourge, he had to deal with political interference, absurd regulations, non-paying municipalities, unfounded accusations of racism, wildcat strikes, sabotage and a poisoning attempt. De Ruyter takes the reader inside the boardrooms and government meetings where South Africa’s future is shaped, with ministers often pulling in conflicting directions. He explains how renewable energy is the cheapest and quickest solution to our power crisis, in spite of fierce opposition from vested coal interests. De Ruyter candidly reflects on his three years at the power utility, his successes and failures, his reasons for leaving and his hopes for the future. As someone who worked at the highest levels of the state but is not beholden to the ruling party, he is uniquely placed to speak truth to power.
“We make a big mistake to consider Bain simply another foreign company that extracted economic rents. I believe its involvement in bringing South Africa to its knees through state capture was much more insidious.” When Bain & Company partner Athol Williams reported his employer in October 2019 for withholding information on their complicity in state capture, he had no idea how far-reaching Bain’s collusion had been. Who would have suspected a prestigious global management consulting firm of misusing its business expertise and lending its reputation to the most profound attack on South Africa’s democracy? Drawing on his testimony before the Zondo Commission, Williams here reveals the full extent of what Bain did not want the public to know. Not only did Bain withhold information and witnesses from the authorities; they also attempted to buy Williams’s silence and block his Zondo testimony. Deep Collusion uncovers the inner workings of state capture design. Williams takes the reader into the evidence that reveals the after-hours, behind-closed-doors planning meetings that took place at Zuma’s residences – who was present and what was discussed. While this book exposes greed and corporate corruption and lifts the lid on foreign profiteering and the weakening of South Africa’s public institutions, it also highlights the lonely burden of the whistleblower and the great personal cost of telling the truth in the face of overwhelming pressure.
Political theorist Steven Friedman addresses how and why the current language around anti-Semitism in Israel has been distorted and weaponised to serve the political objectives of the Israeli state. Friedman’s critique examines what this implies for the fight against racism in South Africa and India, and in other parts of the world. Good Jew, Bad Jew is a critique by one of South Africa’s foremost political theorists of mainstream understandings of Jewishness. Steven Friedman offers a searing analysis of the weaponisation of anti-Semitism in service of political objectives that support the Israeli state and global white supremacy. Looking specifically at the way in which language is used to shape identities, Friedman uses many examples to illustrate how anyone that opposes the interests and policies of the Israeli state is increasingly defined as anti-Semitic. The use of anti-racist language to defend racial domination distorts not only the meaning of what it is to be Jewish, but sheds light on how all dogmatic nationalisms function. Friedman uses India and South Africa as examples, but the analysis applies across the world too. This is a detailed, deeply researched and critical work that will appeal to both specialists and general readers looking for a considered view on how language shapes belief systems, and how the powerful forces of racism and nationalism – and their opponents – are being misrepresented.
White supremacy is on the rise in the world once again, often finding expression in acts of extreme violence by young white men. Gavin Evans explores the roots of this ideology, traced back to the 19th century to Charles Darwin and Francis Galton’s race-based theories. He examines the spread of eugenics and the rise of Nazism and Apartheid. Evans further investigates the 21st-century evolution of ‘Great Replacement’ ideas, their spread through alt-right forums, and their influence on young men with access to weapons. White Supremacy reveals the connections between mainstream and extremist ‘Replacement Theory’ and the ongoing promotion of race science by both far-right and establishment figures, highlighting the dangerous legacy of eugenics.
Derived from the word "to propagate," the idea and practice of propaganda concerns nothing less than the ways in which human beings communicate, particularly with respect to the creation and widespread dissemination of attitudes, images, and beliefs. Much larger than its pejorative connotations suggest, propaganda can more neutrally be understood as a central means of organizing and shaping thought and perception, a practice that has been a pervasive feature of the twentieth century and that touches on many fields. It has been seen as both a positive and negative force, although abuses under the Third Reich and during the Cold War have caused the term to stand in, most recently, as a synonym for untruth and brazen manipulation. Propaganda analysis of the 1950s to 1989 too often took the form of empirical studies about the efficacy of specific methods, with larger questions about the purposes and patterns of mass persuasion remaining unanswered. In the present moment where globalization and transnationality are arguably as important as older nation forms, when media enjoy near ubiquity throughout the globe, when various fundamentalisms are ascendant, and when debates rage about neoliberalism, it is urgent that we have an up-to-date resource that considers propaganda as a force of culture writ large. The handbook will include twenty-two essays by leading scholars from a variety of disciplines, divided into three sections. In addition to dealing with the thorny question of definition, the handbook will take up an expansive set of assumptions and a full range of approaches that move propaganda beyond political campaigns and warfare to examine a wide array of cultural contexts and practices.
The author of Fire and Fury delivers a breathtaking insider account of the 2024 Trump campaign—undoubtedly the wildest, most unpredictable campaign in U.S. history, including multiple criminal trials, two assassination attempts, and a sudden switch of opponents. All or Nothing takes readers on a journey accompanying Donald Trump on his return to power as only Michael Wolff, the foremost chronicler of the Trump era, can do it. As Trump cruelly and swiftly dispatches his opponents, heaps fire and fury on the prosecutors and judges who are pursuing him, and mocks and belittles anyone in his way, including the president of the United States, this becomes not just another election but perhaps, both sides say, the last election. The stakes could not be clearer: Either the establishment destroys Donald Trump, or he destroys the establishment. What soon emerges is a split-screen reality: On one side, a picture that could not be worse for Trump: an inescapable, perhaps mortal legal quagmire; on the other side, an entirely positive political outlook: overwhelming support within his party, ever-rising polling numbers, and lackluster opposition. Through personal access to Trump’s inner circle, Wolff details a behind-the-scenes, revealing landscape of Trumpworld and its unlikely cast of primary players as well as the candidate himself, the most successful figure in American politics since, arguably, Roosevelt, but who might easily seem to be raving mad. Threading a needle between tragedy and farce, the fate of the nation, the liberal ideal, and democracy itself, All or Nothing paints a gobsmacking portrait of a man whose behavior is so unimaginable, so uncontrolled, so unmindful of cause and effect, that it defeats all the structures and logic of civic life. And yet here in one of the most remarkable comebacks in American political history, Trump is victorious. This is not just a story about politics: It is a vivid exposé of the demons, discord, and anarchy—the fire, fury, and future—of American life under Trump.
Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. This Research Agenda documents and establishes the thinking of leading scholars in the field of political marketing and related sub-fields, also encompassing additional social science disciplines that intersect at the crossroads of political marketing. Chapters address the complexity of how politicians and political parties leverage trust, credibility, and expertise across their policy positions, and how citizens formulate their attitudes and opinions. Contributors focus on the new challenges and opportunities for political parties and politicians around the globe when communicating about complex issues, such as science and technology. This Research Agenda will be an essential resource for political marketing researchers and practitioners looking to explore how marketing tactics may be used to shape, guide, and manage public opinion and policy discourse.
The Research Handbook on Visual Politics focuses on key theories and methodologies for better understanding visual political communication. It also concentrates on the depictions of power within politics, taking a historical and longitudinal approach to the topic of placing visuals within a wider framework of political understanding. The Handbook provides an introduction to the theoretical underpinning of the study of visual politics as well as an overview of the current thinking and research traditions in the field of visual politics. The impressive selection of contributors explore all types of media, including studies of the tools utilised for visual politics such as social media, art and photography, featuring the latest platforms such as TikTok and Instagram. The editors also include discussions of visual politics covering a range of nations and political systems while placing current practices in visual politics within their historical context. Offering a rich range of studies exploring differing practices within their contexts to highlight current studies and support the development of future research, this Research Handbook is designed for researchers and students interested in the broad field of politics and the subfields of political communication, persuasion, propaganda and rhetoric.
This book presents absorbing and critical expert perspectives on the post-truth phenomenon that has infiltrated the U.S. political system, media, and populace. Deception in politics is nothing new, but the quantity of unsubstantiated statements in America today is unprecedented. False notions, fake news, "alternative facts," and opinions are being pitched from sources including the White House, Congress, and the American population via Twitter, Facebook, and online news sites as well as print, television, and radio. Such a widespread spectacle instantly captures the attention of people nationwide, but disagreement has the nation almost bordering on civil war over the definition of "the truth" and what this book calls "post-truth." In this text, C.G. Prado and expert contributors present varied perspectives on post-truth, its authoritarian implications for the nation, and how we can approach information to differentiate between truth and post-truth. Speaking to general readers, students, and scholars alike, chapters include text on the historical and social events that initiated and developed post-truth and why some people are more prone than others to accept and perpetuate post-truth. They also discuss post-truth as a threat to democracy. Analyzes Trump-administration-generated mistruths in a discussion of post-truth America Presents varied concerns, perspectives, and thought-provoking topics in clear, accessible, and engaging words Explains the historical and social circumstances that led to post-truth Details why some people are more apt to embrace and spread post-truth Outlines actions to defeat post-truth
Gone is the era of Edward R. Murrow and Walter Cronkite, when news programs fought to gain the trust and respect of a wide spectrum of American viewers. Today, the fastest-growing news programs and media platforms are fighting hard for increasingly narrow segments of the public and playing on old prejudices and deep-rooted fears, coloring the conversation in the blogosphere and the cable news chatter to distract from the true issues at stake. Using the same tactics once used to mobilize political parties and committed voters, they send their fans coded messages and demonize opposing groups, in the process securing valuable audience share and website traffic. Race-baiter is a term born out of this tumultuous climate, coined by the conservative media to describe a person who uses racial tensions to arouse the passion and ire of a particular demographic. Even as the election of the first black president forces us all to reevaluate how we think about race, gender, culture, and class lines, some areas of modern media are working hard to push the same old buttons of conflict and division for new purposes. In Race-Baiter, veteran journalist and media critic Eric Deggans dissects the powerful ways modern media feeds fears, prejudices, and hate, while also tracing the history of the word and its consequences, intended or otherwise.
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