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Books > Social sciences > Politics & government > Political control & freedoms > Political control & influence > Propaganda
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Obey
(Paperback)
New World Order
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R159
Discovery Miles 1 590
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Ships in 18 - 22 working days
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The journey of Chinese art - from mass-produced propaganda in the Mao era to modern-day market darling - mirrors China’s own momentous changes like few other disciplines. Today, in both contemporary art and contemporary Chinese society, commerce and politics coexist in a delicate balance, which some call sensible and others, selling out.
By traveling to the studios of renowned Chinese artists, hearing their rags-to-riches tales and interviewing the critics, curators, and collectors that have been around since its idealistic beginnings, author Claire van den Heever paints a picture of Chinese art’s bumpy path to commercial and critical success, and uncovers the secrets it tried to keep along the way
This classic text provides a scathing critiques of U.S. political
culture through billion analysis of the Iran-Contra scandal.
Chomsky irrefutably shows how the unites States has opposed human
rights and democratization to advance it economic interests.
At the airport we line up, remove our shoes, empty our pockets, and
hold still for three seconds in the body scanner. Deemed safe, we
put ourselves back together and are free to buy the beverage we
were prohibited from taking through security. In The Transparent
Traveler Rachel Hall explains how the familiar routines of airport
security choreograph passenger behavior to create submissive and
docile travelers. The cultural performance of contemporary security
practices mobilizes what Hall calls the "aesthetics of
transparency." To appear transparent, a passenger must perform
innocence and display a willingness to open their body to routine
inspection and analysis. Those who cannot-whether because of race,
immigration and citizenship status, disability, age, or
religion-are deemed opaque, presumed to be a threat, and subject to
search and detention. Analyzing everything from airport
architecture, photography, and computer-generated imagery to
full-body scanners and TSA behavior detection techniques, Hall
theorizes the transparent traveler as the embodiment of a cultural
ideal of submission to surveillance.
Questions of gender, race, class, and sexuality have largely been
left unexamined in surveillance studies. The contributors to this
field-defining collection take up these questions, and in so doing
provide new directions for analyzing surveillance. They use
feminist theory to expose the ways in which surveillance practices
and technologies are tied to systemic forms of discrimination that
serve to normalize whiteness, able-bodiedness, capitalism, and
heterosexuality. The essays discuss the implications of, among
others, patriarchal surveillance in colonial North America,
surveillance aimed at curbing the trafficking of women and sex
work, women presented as having agency in the creation of the
images that display their bodies via social media, full-body
airport scanners, and mainstream news media discussion of honor
killings in Canada and the concomitant surveillance of Muslim
bodies. Rather than rehashing arguments as to whether or not
surveillance keeps the state safe, the contributors investigate
what constitutes surveillance, who is scrutinized, why, and at what
cost. The work fills a gap in feminist scholarship and shows that
gender, race, class, and sexuality should be central to any study
of surveillance. Contributors. Seantel Anais, Mark Andrejevic,
Paisley Currah, Sayantani DasGupta, Shamita Das Dasgupta, Rachel E.
Dubrofsky, Rachel Hall, Lisa Jean Moore, Yasmin Jiwani, Ummni Khan,
Shoshana Amielle Magnet, Kelli Moore, Lisa Nakamura, Dorothy
Roberts, Andrea Smith, Kevin Walby, Megan M. Wood, Laura Hyun Yi
Kang
Questions of gender, race, class, and sexuality have largely been
left unexamined in surveillance studies. The contributors to this
field-defining collection take up these questions, and in so doing
provide new directions for analyzing surveillance. They use
feminist theory to expose the ways in which surveillance practices
and technologies are tied to systemic forms of discrimination that
serve to normalize whiteness, able-bodiedness, capitalism, and
heterosexuality. The essays discuss the implications of, among
others, patriarchal surveillance in colonial North America,
surveillance aimed at curbing the trafficking of women and sex
work, women presented as having agency in the creation of the
images that display their bodies via social media, full-body
airport scanners, and mainstream news media discussion of honor
killings in Canada and the concomitant surveillance of Muslim
bodies. Rather than rehashing arguments as to whether or not
surveillance keeps the state safe, the contributors investigate
what constitutes surveillance, who is scrutinized, why, and at what
cost. The work fills a gap in feminist scholarship and shows that
gender, race, class, and sexuality should be central to any study
of surveillance. Contributors. Seantel Anais, Mark Andrejevic,
Paisley Currah, Sayantani DasGupta, Shamita Das Dasgupta, Rachel E.
Dubrofsky, Rachel Hall, Lisa Jean Moore, Yasmin Jiwani, Ummni Khan,
Shoshana Amielle Magnet, Kelli Moore, Lisa Nakamura, Dorothy
Roberts, Andrea Smith, Kevin Walby, Megan M. Wood, Laura Hyun Yi
Kang
A rabbi, a priest, a politician, public servants, a military
officer, a student activist and a social media consultant are
gathered in this book to discuss the incomprehensible situation of
Israel's faltering public image. Rabbi Berl Wine addresses the
Jewish diaspora tradition and the lack of religious understanding
of the realities of running a sovereign modern state. Pastor Jorgen
Buhler discusses the Christian Protestant pro-Israel perspective.
Dr Meron Medzini, the biographer of Golda Meir, sets out the
state's early policy toward propaganda. Dr. Moshe Yegar, a former
deputy director in the Israeli foreign ministry discusses the time
when Public Relations was abolished in the ministry by today's
president, Shimon Peres. Danny Seman, formerly a head of department
in the newly founded Ministry of Information and Government Press
Office, tells of his experiences of working for the government
without government backup. Barak Raz of the IDF Spokesman Unit
gives the military angle. Yigal Palmor, a spokesman for the Foreign
Ministry, sets out Israeli foreign policy objectives. Yossi Sarid,
former senior minister and media personality, provides analysis of
hasbara (public diplomacy) in an international perspective. David
Olesker, a leading authority on global campus activism, gives a
historical survey of anti-Israel campus activities. Eva Rosenstein
and David Abitbol discuss professional media and social media
perspectives of propaganda advocacy. Ron Schleifer sets out to
rectify Israel's international image, through better understanding
of historical and contemporary policy, and the
political/religious/military philosophy behind the different
approaches over the years, presenting media and psychological
mechanisms of motivating a more resourceful approach to this
increasingly necessary aspect of Israeli statehood.
Facts are and must be the coin of the realm in a democracy, for
government "of the people, by the people and for the people,"
requires and assumes to some extent an informed citizenry.
Unfortunately, for citizens in the United States and throughout the
world, distinguishing between fact and fiction has always been a
formidable challenge, often with real life and death consequences.
But now it is more difficult and confusing than ever. The Internet
Age makes comment indistinguishable from fact, and erodes
authority. It is liberating but annihilating at the same time.
For those wielding power, whether in the private or the public
sector, the increasingly sophisticated control of information is
regarded as utterly essential to achieving success. Internal
information is severely limited, including calendars, memoranda,
phone logs and emails. History is sculpted by its absence.
Often those in power strictly control the flow of information,
corroding and corrupting its content, of course, using newspapers,
radio, television and other mass means of communication to
carefully consolidate their authority and cover their crimes in a
thick veneer of fervent racialism or nationalism. And always with
the specter of some kind of imminent public threat, what Hannah
Arendt called 'objective enemies.'"
An epiphanic, public comment about the Bush "war on terror" years
was made by an unidentified White House official revealing how
information is managed and how the news media and the public itself
are regarded by those in power: " You journalists live] "in what we
call the reality-based community. But] that's not the way the world
really works anymore. We're an empire now, and when we act, we
create our own reality . . . we're history's actors . . . and you,
all of you, will be left to just study what we do." And yet, as
aggressive as the Republican Bush administration was in attempting
to define reality, the subsequent, Democratic Obama administration
may be more so.
Into the battle for truth steps Charles Lewis, a pioneer of
journalistic objectivity. His book looks at the various ways in
which truth can be manipulated and distorted by governments,
corporations, even loan individuals. He shows how truth is often
distorted or diminished by delay: truth "in time" can save terrible
erroneous choices. In part a history of communication in America, a
cri de coeur for the principles and practice of objective
reporting, and a journey into several notably labyrinths of
deception, "935 Lies" is a valorous search for honesty in an age of
casual, sometimes malevolent distortion of the facts.
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