Exploring the political climate during the final years of the reign of Charles II, when John Dryden wrote his great public poems and several of his dramatic works, Phillip Harth sheds new light on this writer's literary activity on behalf of the monarch. The poems Absalom and Achitophel and The Medall, and the dramatic works The Duke of Guise and Albion and Albanius, have commonly been considered in relation to such public events as the Popish Plot, the Exclusion Crisis, and the Tory Reaction, but that approach does not explain the noticeable differences among these works or the specific purposes for which they were written. Harth argues that the immediate contexts of these works were not the historical events themselves but a constantly developing series of propaganda offensives, both Tory and Whig, designed to influence public opinion toward fluctuating conditions. Pen for a Party traces the halting process by which the government of Charles II developed propaganda as an effective instrument for gradually winning the public's acquiescence in its divisive policies. It likewise shows how Dryden fashioned his own works to meet the needs of this propaganda campaign in each of its successive phases. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Using interviews of Nazi officials and German publishers, as well as printed and manuscript sources, Mr. Hale tells how the Nazi party developed its own insignificant party press into mass circulation newspapers, and how it forced the transfer of ownership of important papers to camouflaged holding companies controlled by the party's central publishing house. Contents: Introduction. I. The Volkischer Beobachter--Central Organ of the Nazi Party. II. The Nazi Party Press, 1925-1933. III. The Organization of Total Control. IV. The Party and the Publishing Industry, 1933-1934. V. The Final Solution--The Amann Ordinances. VI. Political and Economic Cleansing of the Press. VII. The Captive Publishing Industry, 1936-1939. VIII. The German Press in Wartime. Index. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Individual sections of this significant work have been edited and annotated by such outstanding scholars as Robert J. Alexander, Frederick C. Barghoorn, George F. Kennan, and others. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book offers a comprehensive overview and analysis of the Islamic State's use of propaganda. Combining a range of different theoretical perspectives from across the social sciences, and using rigorous methods, the authors trace the origins of the Islamic State's message, laying bare the strategic logic guiding its evolution, examining each of its multi-media components, and showing how these elements work together to radicalize audiences' worldviews. This volume highlights the challenges that this sort of "full-spectrum propaganda" raises for counter terrorism forces. It is not only a one-stop resource for any analyst of IS and Salafi-jihadism, but also a rich contribution to the study of text and visual propaganda, radicalization and political violence, and international security.

Winner of the Yad Vashem International Book Prize for Holocaust Research The scale and the depth of Nazi brutality seem to defy understanding. What could drive people to fight, kill, and destroy with such ruthless ambition? Observers and historians have offered countless explanations since the 1930s. According to Johann Chapoutot, we need to understand better how the Nazis explained it themselves. We need a clearer view, in particular, of how they were steeped in and spread the idea that history gave them no choice: it was either kill or die. Chapoutot, one of France's leading historians, spent years immersing himself in the texts and images that reflected and shaped the mental world of Nazi ideologues, and that the Nazis disseminated to the German public. The party had no official ur-text of ideology, values, and history. But a clear narrative emerges from the myriad works of intellectuals, apparatchiks, journalists, and movie-makers that Chapoutot explores. The story went like this: In the ancient world, the Nordic-German race lived in harmony with the laws of nature. But since Late Antiquity, corrupt foreign norms and values-Jewish values in particular-had alienated Germany from itself and from all that was natural. The time had come, under the Nazis, to return to the fundamental law of blood. Germany must fight, conquer, and procreate, or perish. History did not concern itself with right and wrong, only brute necessity. A remarkable work of scholarship and insight, The Law of Blood recreates the chilling ideas and outlook that would cost millions their lives.

Modern presidents regularly appeal over the heads of Congress to the people at large to generate support for public policies. The Rhetorical Presidency makes the case that this development, born at the outset of the twentieth century, is the product of conscious political choices that fundamentally transformed the presidency and the meaning of American governance. Now with a new foreword by Russell Muirhead and a new afterword by the author, this landmark work probes political pathologies and analyzes the dilemmas of presidential statecraft. Extending a tradition of American political writing that begins with The Federalist and continues with Woodrow Wilson's Congressional Government, The Rhetorical Presidency remains a pivotal work in its field.

On the evening of September 11, 2002, with the Statue of Liberty shimmering in the background, television cameras captured President George W. Bush as he advocated war against Iraq. This carefully stage-managed performance, writes Susan A. Brewer, was the culmination of a long tradition of sophisticated wartime propaganda in America.
In Why America Fights, Brewer offers a fascinating history of how successive presidents have conducted what Donald Rumsfeld calls "perception management," from McKinley's war in the Philippines to Operation Iraqi Freedom. Brewer's intriguing account ranges from analyses of wartime messages to descriptions of the actual operations, from the dissemination of patriotic ads and posters to the management of newspaper, radio, and TV media. When Woodrow Wilson took the nation into World War I, he created the Committee on Public Information, led by George Creel, who called his job "the world's greatest adventure in advertising." In World War II, Roosevelt's Office of War Information avowed a "strategy of truth," though government propaganda still depicted Japanese soldiers as buck-toothed savages. In the Korean War, the Truman administration delineated differences between "good" and "evil" Asians, while portraying the conflict as a global battle between the Free World and Communism. After examining the ultimately failed struggle to cast the Vietnam War in a favorable light, Brewer shows how the Bush White House drew explicit lessons from that history as it engaged in an unprecedented effort to sell a preemptive war in Iraq. Yet the thrust of its message was not much different from McKinley's pronouncements about America's civilizing mission.
Impressivelyresearched and argued, filled with surprising details, Why America Fights shows how presidents consistently have drummed up support for foreign wars by appealing to what Americans want to believe about themselves.

Exploring the 'dark side' of digital diplomacy, this volume highlights some of the major problems facing democratic institutions in the West and provides concrete examples of best practice in reversing the tide of digital propaganda. Digital diplomacy is now part of the regular conduct of International Relations, but Information Warfare is characterised by the exploitation or weaponisation of media systems to undermine confidence in institutions: the resilience of open, democratic discourse is tested by techniques such as propaganda, disinformation, fake news, trolling and conspiracy theories. This book introduces a thematic framework by which to better understand the nature and scope of the threats that the weaponization of digital technologies increasingly pose to Western societies. The editors instigate interdisciplinary discussion and collaboration between scholars and practitioners on the purpose, methods and impact of strategic communication in the Digital Age and its diplomatic implications. What opportunities and challenges does strategic communication face in the digital context? What diplomatic implications need to be considered when governments employ strategies for countering disinformation and propaganda? Exploring such issues, the contributors demonstrate that responses to the weaponisation of digital technologies must be tailored to the political context that make it possible for digital propaganda to reach and influence vulnerable publics and audiences. This book will be of much interest to students of diplomacy studies, counter-radicalisation, media and communication studies, and International Relations in general.

A groundbreaking look at how the interrogation rooms of the Korean War set the stage for a new kind of battle-not over land but over human subjects Traditional histories of the Korean War have long focused on violations of the thirty-eighth parallel, the line drawn by American and Soviet officials in 1945 dividing the Korean peninsula. But The Interrogation Rooms of the Korean War presents an entirely new narrative, shifting the perspective from the boundaries of the battlefield to inside the interrogation room. Upending conventional notions of what we think of as geographies of military conflict, Monica Kim demonstrates how the Korean War evolved from a fight over territory to one over human interiority and the individual human subject, forging the template for the US wars of intervention that would predominate during the latter half of the twentieth century and beyond. Kim looks at how, during the armistice negotiations, the United States and their allies proposed a new kind of interrogation room: one in which POWs could exercise their "free will" and choose which country they would go to after the ceasefire. The global controversy that erupted exposed how interrogation rooms had become a flashpoint for the struggles between the ambitions of empire and the demands for decolonization, as the aim of interrogation was to produce subjects who attested to a nation's right to govern. The complex web of interrogators and prisoners-Japanese-American interrogators, Indian military personnel, Korean POWs and interrogators, and American POWs-that Kim uncovers contradicts the simple story in US popular memory of "brainwashing" during the Korean War. Bringing together a vast range of sources that track two generations of people moving between three continents, The Interrogation Rooms of the Korean War delves into an essential yet overlooked aspect of modern warfare in the twentieth century.