In this book R. W. Scribner provides the first detailed analysis of the forms of propaganda - such as illustrated broadsheets, picture books, title pages, and book illustrations - which were aimed at the illiterate and semi-literate during the Reformation, and reproduces many of the vast corpus of prints which still survive in scattered locations in Germany. Dr Scribner advances new and original interpretations of these illustrations, revealing how visual propaganda exploited popular belief and the coarser aspects of popular culture, while at the same time being a product of them. This, he suggests, explains why the Reformation appealed to the broad masses of sixteenth-century people, even though the propaganda was unable to educate them in the more complex theological aspects of the Reformation message. As well as raising important questions about the Reformation as a religious phenomenon, the book is a contribution to the understanding of early modern popular culture, and the nature of propaganda in a pre-industrial society; it is also a detailed historical study of the sixteenth-century woodcut. In develolping an interdisciplinary analysis combining the methods of iconography, semiology, sociology, and folklore, Dr Scribner presents a fruitful new approach to the study of popular mentalities. Hailed as a pioneering study of great importance on its original publication in 1981, For the Sake of Simple Folk is now available in paperback for the first time, with a new Introduction and additional chapter. 'The reproduction of such a formidable body of "documentation" in the text is a major achievement . . . important and pioneering study', Journal of Ecclesiastical History

As widespread environmental degradation threatens the basic human rights of a large proportion of the world's population, we are also confronting the worst migration crisis in the modern era. Emerging Threats to Human Rights searches among the interrelated causes of these overlapping crises. The editor and contributors to this timely anthology assess how environmental resources, state violence, and the deprivation of nationality/citizenship are linked to gain a better understanding of how human rights abuses intersect with patterns of migration. As some refugees flee violence at home, they arrive in an asylum country only to experience violence at the hands of the native population. Likewise, those denied citizenship rights in their country become vulnerable to human traffickers and other rights violations when they flee. Bringing together scholars of resource dilemmas, violence, and citizenship as well as lawyers and human rights practitioners, Emerging Threats to Human Rights begins by identifying the core causes of human rights violations confronting our world today. Chapters also consider whether and to what extent these emerging threats to human rights serve as drivers of displacement.

The German Corpse Factory is one of the most famous and scandalous propaganda stories of the First World War. It has been repeated many times down to the present day as the prime example of the falsehood of British wartime propaganda. But despite all the attention paid to it, the full story has never been properly told. In Spring 1917, parts of the British press claimed that Germany was so short of essential fats and glycerine that the German Army was being forced to boil down the bodies of its own dead soldiers, causing a brief scandal of accusation and counter-accusation, including the claim that the story was the invention of the British official propaganda organisations. Behind the scenes, British propaganda experts opposed exploiting the story as it was obviously false, and contrary to their basic principles of never telling an obvious lie in an official statement. But at the time, the British government refused to deny that the 'German Corpse Factory' might really exist. In 1925 the scandal re-erupted in New York, when the former head of British military intelligence on the Western Front, in the United States on a speaking tour, was quoted in newspapers as having confessed to making the whole German Corpse Factory story up, a claim that he immediately denied. As a gesture of friendship on the occasion of the Locarno treaties, the British government now accepted the German government position that the story was a lie, but in fact neither government knew what had really happened in 1917. This book provides the answers to these questions according to the best historical evidence available. It uses the scandal of the 'German Corpse Factory' as a case-study to explore the true nature of British official propaganda and its organisations in the First World War, including the events of 1917 and who might really have been responsible for the story. It also shows how this brief episode was taken up by the German government after 1918, and by interest groups in Britain and the United States after 1925, to paint a false picture of British propaganda, with far-reaching consequences for the peace of Europe, and for our subsequent understanding of the First World War.

On the evening of September 11, 2002, with the Statue of Liberty shimmering in the background, television cameras captured President George W. Bush as he advocated war against Iraq. This carefully stage-managed performance, writes Susan A. Brewer, was the culmination of a long tradition of sophisticated wartime propaganda in America.
In Why America Fights, Brewer offers a fascinating history of how successive presidents have conducted what Donald Rumsfeld calls "perception management," from McKinley's war in the Philippines to Operation Iraqi Freedom. Brewer's intriguing account ranges from analyses of wartime messages to descriptions of the actual operations, from the dissemination of patriotic ads and posters to the management of newspaper, radio, and TV media. When Woodrow Wilson took the nation into World War I, he created the Committee on Public Information, led by George Creel, who called his job "the world's greatest adventure in advertising." In World War II, Roosevelt's Office of War Information avowed a "strategy of truth," though government propaganda still depicted Japanese soldiers as buck-toothed savages. In the Korean War, the Truman administration delineated differences between "good" and "evil" Asians, while portraying the conflict as a global battle between the Free World and Communism. After examining the ultimately failed struggle to cast the Vietnam War in a favorable light, Brewer shows how the Bush White House drew explicit lessons from that history as it engaged in an unprecedented effort to sell a preemptive war in Iraq. Yet the thrust of its message was not much different from McKinley's pronouncements about America's civilizing mission.
Impressivelyresearched and argued, filled with surprising details, Why America Fights shows how presidents consistently have drummed up support for foreign wars by appealing to what Americans want to believe about themselves.

From Derek Hunter-one of the most entertaining political writers today-comes an insightful, alarming look at how progressives have took over academia, pop culture, and journalism in order to declare everything liberal great, and everything great, liberal. Progressives love to attack conservatives as anti-science, wallowing in fake news, and culturally backwards. But who are the real denialists here There are three institutions in American life run by gatekeepers who have stopped letting in anyone who questions their liberal script: academia, journalism, and pop culture. They use their cult-like groupthink consensus as "proof" that science, reporting, and entertainment will always back up the Democrats. They give their most political members awards, and then say the awards make their liberal beliefs true. Worse, they are using that consensus to pull the country even further to the left, by bullying and silencing dissent from even those they've allowed in. Just a few years ago, the media pretended they were honest brokers. Now a CNN segment is seven liberals versus a sacrificial lamb. MSNBC ate their sacrificial lamb. Well, Chris Matthews did. Tired of being forced to believe or else, Derek Hunter exposes the manufactured truths and unwritten commandments of the Establishment. With research and a biting, sarcastic wit, he explains:, â The growing role of celebrities in the political world, and movies with a "message" that dominate awards season, but rarely the box office., â The unquestioning reporting on "studies" that don't prove what they say they prove., â The hidden bias of "fact-checking," when the media cherry picks which facts they check., â Celebrity scientists like Bill Nye and Neil deGrasse Tyson blending liberal activism with pretend expertise outside their fields.Clever, controversial, and convincing, Derek Hunter's book gets to the root of America's biggest cultural war lies.

"An engaging, balanced and thoroughly researched history. It is often a moving and amusing tale containing plenty of mavericks and colourful episodes." (Lawrence James, The Times) Auntie's War is a love letter to radio. The British Broadcasting Corporation is a British institution unlike any other, and its story during the Second World War is also our story. This was Britain's first total war, engaging the whole nation, and the wireless played a crucial role in it. For the first time, news of the conflict reached every living room - sometimes almost as it happened; and at key moments: - Chamberlain's announcement of war - The Blitz - The D-Day landings - De Gaulle's broadcasts from exile - Churchill's fighting speeches Radio offered an incomparable tool for propaganda; it was how coded messages, both political and personal, were sent across Europe, and it was a means of sending less than truthful information to the enemy. Edward Stourton is a sharp-eyed, wry and affectionate companion on the BBC's wartime journey, investigating archives, diaries, letters and memoirs to examine what the BBC was and what it stood for. Auntie's War is an incomparable insight into why we have the broadcast culture we do today. A BBC RADIO 4: BOOK OF THE WEEK

Individual sections of this significant work have been edited and annotated by such outstanding scholars as Robert J. Alexander, Frederick C. Barghoorn, George F. Kennan, and others. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"The most comprehensive bibliography yet published in the public opinion field." --Journalism Quarterly. Besides a selection of the most significant titles from earlier years, this book contains a comprehensive listing of books, pamphlets, and articles which appeared between 1934 and 1943. Originally published in 1946. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An examination of what algorithmic polarization means for society and how conservative elites use media literacy tactics to spread propaganda The Propagandists' Playbook peels back the layers of the right-wing media manipulation machine to reveal why its strategies are so effective and pervasive, while also humanizing the people whose worldviews and media practices conservatism embodies. Based on interviews and ethnographic observations of two Republican groups over the course of the 2017 Virginia gubernatorial race-including the author's firsthand experience of the 2017 Unite the Right rally-the book considers how Google algorithms, YouTube playlists, pundits, and politicians can manipulate audiences, reaffirm beliefs, and expose audiences to more extremist ideas, blurring the lines between reality and fiction. Francesca Tripodi argues that conservatives who embody the Christian worldview give authoritative weight to original texts and interrogate the media using the same tools taught to them in Bible study-for example, using Google to "fact check" the news. The result of this practice, tied to conservative marketing tactics, is more than a reaffirmation of existing beliefs: it is a radicalization of content and a changing of narratives adopted by the media. Tripodi also demonstrates the pervasiveness of white supremacy in the conservative media ecosystem, as well as its mainstream appeal, scope, and spread.

During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled 'degenerate' by Hitler's cultural apparatus, jazz was adopted by the Allies to win the hearts and minds of the German public. It was also used by the Nazi Minister for Propaganda, Joseph Goebbels, to deliver a message of Nazi cultural and military superiority. When Goebbels co-opted young German and foreign musicians into 'Charlie and his Orchestra' and broadcast their anti-Allied lyrics across the English Channel, jazz took centre stage in the propaganda war that accompanied World War II on the ground. The Jazz War is based on the largely unheard oral testimony of the personalities behind the German and British wartime radio broadcasts, and chronicles the evolving relationship between jazz music and the Axis and Allied war efforts. Studdert shows how jazz both helped and hindered the Allied cause as Nazi soldiers secretly tuned in to British radio shows while London party-goers danced the night away in demimonde `bottle parties', leading them to be branded a `menace' in Parliament. This book will appeal to students of the history of jazz, broadcasting, cultural studies, and the history of World War II.

A Choice Outstanding Academic Title for 2022 China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon, including: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time? Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism.

A CNN contributor, former Ted Cruz staffer, and "Never Trump" adherent reveals a shocking truth: Donald Trump’s lies and fabrications don’t horrify America—they enthrall us—and explains how we can avoid falling for them.

"Can you believe what Donald Trump said?"

In Gaslighting America, Carpenter breaks down Trump’s formula, showing why it’s practically foolproof, playing his victims, the media, the Democrats, and the Republican fence-sitters perfectly. She traces how this tactic started with Nixon, gained traction with Bill Clinton, and exploded under Trump. If you think Trump is driving you crazy, it’s because he is. Now, in this urgent book, she explains how to withstand the fire. Where some people see lies, Trump’s fierce followers see something different. A commitment to winning at all costs; there is nothing he could say that would erode their support at long as it’s in the name of taking down his political enemies.

His opponents on the left and right continue to act as if his fake narratives and conspiracy theories will bring him down, when in fact, they are the ruses that raised him up.

As a conservative former staffer to a competing presidential campaign, Amanda Carpenter witnessed her fellow Republicans fall in line behind Trump. As a political commentator, she was publicly smeared by one of his supporters on live television without a shred of evidence supporting the allegations. Slowly, she watched her entire party succumb to Trump and become defenders of his tactics, and Gaslighting America may be the only hope to bring them back to reality.

A multi-scale ethnography of government pedagogy in Colombia and its impact on peace. Colombia's 2016 peace agreement with the FARC guerrillas sought to end fifty years of war and won President Juan Manuel Santos the Nobel Peace Prize. Yet Colombian society rejected it in a polarizing referendum, amid an emotive disinformation campaign. Gwen Burnyeat joined the Office of the High Commissioner for Peace, the government institution responsible for peace negotiations, to observe and participate in an innovative "peace pedagogy" strategy to explain the agreement to Colombian society. Burnyeat's multi-scale ethnography reveals the challenges government officials experienced communicating with skeptical audiences and translating the peace process for public opinion. She argues that the fatal flaw in the peace process lay in government-society relations, enmeshed in culturally liberal logics and shaped by the politics of international donors. The Face of Peace offers the Colombian case as a mirror to the global crisis of liberalism, shattering the fantasy of rationality that haunts liberal responses to "post-truth" politics.

This unique and innovative book fuses journalism with both psychology and biology to create a new scaffolding where primal literacy is the guiding force to covering high-risk environments. When humans are in high-stress situations, their perceptions of reality can be easily deceived and manipulated. What is safe, moral, truthful, and brave can be distorted, unless the journalist has a strong core in primal literacy.This text remedies this oversight by showing the mechanisms of primal literacy and survival instincts to create a powerful and reliable scaffolding with internal, external, and ecological validity. Readers are shown how to cover dangerous events using journalism and evolutionary psychology to avoid falling for propaganda or bringing further danger to the reporter and news consumer; however, these methods can easily be applied to any situation in times of both war and peace.