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Books > Social sciences > Politics & government > Political control & freedoms > Political control & influence > Propaganda
During the EOKA period of Greek Cypriot revolt against British
colonial rule, the Greek Cypriots and the British deployed
propaganda as a means of swaying allegiances, both within Cyprus
and on the international scene. Propaganda and the Cyprus Revolt
places new emphasis on the vital role propaganda played in turning
the tide against British colonial control over Cyprus. Examining
the increase of violence and coercion during this period of revolt,
this book examines how the opposing sides' mobilization of
propaganda offered two alternative visions for the future of Cyprus
that divided opinion, to the ultimate detriment of British
counterinsurgency efforts. Detailing the deployment of propaganda
by both parties across radio, television and print channels, the
book draws upon previously unpublished archival material in order
to paint a detailed picture of how the British Empire lost control
over the hearts and minds of the Greek Cypriot people. This study
shines new light on a crucial period of Cypriot history and
contributes to wider transnational debates around the use of
propaganda and the end of empire. This will be an essential read
for students of Cyprus history and British colonial history.
For two decades after the civil war the Franco regime applied
systematic historical propaganda and imposed relentless repression
of history professionals. In the 1960s and 1970s, however, the
balance shifted from all-pervading propaganda to structural but
flexible censorship. Gradually and reluctantly, the regime had to
give back the initiative for explaining the recent past to where it
belonged: to the professional historians, but not without oversee
and livelihood threat. In its efforts to keep control, the regime
could count on historians who were willing to censor their more
adventurous colleagues. But the outcome of this process was biased
and uncertain. The main issue was always whether an author could be
considered a friend of the regime. Personal interventions by Franco
himself regularly played a decisive role. Historians fully loyal to
the regime and its aims were published without difficulty; others
took a reformist path, albeit without endangering the dominant
interpretation that favoured the tropes of inevitability and
positive consequences of Francos rebellion. Reformist historians
avoided criticism of the personal integrity of the dictator and the
army, and did not address the issue of systematically planned
terror in Francos National Zone during the Civil War. Historians
who dared to embrace these topics were condemned to write from
abroad. Historical works dealing with the Spanish Civil War
(19361939) have been regularly studied in-depth. Dutch historian
Jan van Muilekom provides a wider perspective by viewing the Franco
historiography from the time of the preceding Second Republic
(1931-1936). His analysis recognizes the crucial 1939-1952 period
where Franco consolidated his seizure of power. The research is
based on a wealth of published censored books, unpublished
manuscripts, censorship archives and historical propaganda
material. The book is an important complement to earlier studies
that mainly dealt with the regimes dealing with the press, the film
industry and literature. Over a span of four decades, Franco never
lost his grip on how recent Spanish history should be read.
Exploring the historiography of the regime provides multiple
insights into the links between authoritarianism and censorship.
This book demonstrates how people were kept ignorant by censorship
and indoctrinated by propaganda. Censorship suppressed all
information that criticized the army and government, that might
trouble the population or weaken its morale. Propaganda at home
emphasized the superiority of the fatherland, explained setbacks by
blaming scapegoats, vilified and ridiculed the enemy, warned of the
disastrous consequences of defeat and extolled duty and sacrifice.
The propaganda message also infiltrated entertainment and the
visual arts. Abroad it aimed to demoralize enemy troops and stir up
unrest among national minorities and other marginalized groups. The
many illustrations and organograms provide a clear visual
demonstration of Demm's argument.
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