Only weeks after the D-Day invasion of June 6, 1944, a surprising cargo-crates of books-joined the flood of troop reinforcements, weapons and ammunition, food, and medicine onto Normandy beaches. The books were destined for French bookshops, to be followed by millions more American books (in translation but also in English) ultimately distributed throughout Europe and the rest of the world. The British were doing similar work, which was uneasily coordinated with that of the Americans within the Psychological Warfare Division of General Eisenhower's Supreme Headquarters, Allied Expeditionary Force, under General Eisenhower's command. Books As Weapons tells the little-known story of the vital partnership between American book publishers and the U.S. government to put carefully selected recent books highlighting American history and values into the hands of civilians liberated from Axis forces. The government desired to use books to help "disintoxicate" the minds of these people from the Nazi and Japanese propaganda and censorship machines and to win their friendship. This objective dovetailed perfectly with U.S. publishers' ambitions to find new profits in international markets, which had been dominated by Britain, France, and Germany before their book trades were devastated by the war. Key figures on both the trade and government sides of the program considered books "the most enduring propaganda of all" and thus effective "weapons in the war of ideas," both during the war and afterward, when the Soviet Union flexed its military might and demonstrated its propaganda savvy. Seldom have books been charged with greater responsibility or imbued with more significance. John B. Hench leavens this fully international account of the programs with fascinating vignettes set in the war rooms of Washington and London, publishers' offices throughout the world, and the jeeps in which information officers drove over bomb-rutted roads to bring the books to people who were hungering for them. Books as Weapons provides context for continuing debates about the relationship between government and private enterprise and the image of the United States abroad. To see an interview with John Hench conducted by C-SPAN at the 2010 annual conference of the Organization of American Historians, visit: http://www.c-spanvideo.org/program/id/222522.

A Battle for Neutral Europe describes and analyses the forgotten story of the British government's cultural propaganda organization, the British Council, in its campaign to win the hearts and minds of people in neutral Europe during the Second World War. The book draws on a range of previously unused material from archives from across Europe and private memoirs to provide a unique insight into the work of the leading British artists, scientists, musicians and other cultural figures who travelled to Spain, Portugal, Sweden and Turkey at great personal risk to promote British life and thought in a time of war. Edward Corse shows how the British Council played a subtle but crucial role in Britain's war effort and draws together the lessons of the British Council experience to produce a new model of cultural propaganda.

The journey of Chinese art - from mass-produced propaganda in the Mao era to modern-day market darling - mirrors China’s own momentous changes like few other disciplines. Today, in both contemporary art and contemporary Chinese society, commerce and politics coexist in a delicate balance, which some call sensible and others, selling out.

By traveling to the studios of renowned Chinese artists, hearing their rags-to-riches tales and interviewing the critics, curators, and collectors that have been around since its idealistic beginnings, author Claire van den Heever paints a picture of Chinese art’s bumpy path to commercial and critical success, and uncovers the secrets it tried to keep along the way

This classic text provides a scathing critiques of U.S. political culture through billion analysis of the Iran-Contra scandal. Chomsky irrefutably shows how the unites States has opposed human rights and democratization to advance it economic interests.

Facts are and must be the coin of the realm in a democracy, for government "of the people, by the people and for the people," requires and assumes to some extent an informed citizenry. Unfortunately, for citizens in the United States and throughout the world, distinguishing between fact and fiction has always been a formidable challenge, often with real life and death consequences. But now it is more difficult and confusing than ever. The Internet Age makes comment indistinguishable from fact, and erodes authority. It is liberating but annihilating at the same time.
For those wielding power, whether in the private or the public sector, the increasingly sophisticated control of information is regarded as utterly essential to achieving success. Internal information is severely limited, including calendars, memoranda, phone logs and emails. History is sculpted by its absence.
Often those in power strictly control the flow of information, corroding and corrupting its content, of course, using newspapers, radio, television and other mass means of communication to carefully consolidate their authority and cover their crimes in a thick veneer of fervent racialism or nationalism. And always with the specter of some kind of imminent public threat, what Hannah Arendt called 'objective enemies.'"
An epiphanic, public comment about the Bush "war on terror" years was made by an unidentified White House official revealing how information is managed and how the news media and the public itself are regarded by those in power: " You journalists live] "in what we call the reality-based community. But] that's not the way the world really works anymore. We're an empire now, and when we act, we create our own reality . . . we're history's actors . . . and you, all of you, will be left to just study what we do." And yet, as aggressive as the Republican Bush administration was in attempting to define reality, the subsequent, Democratic Obama administration may be more so.
Into the battle for truth steps Charles Lewis, a pioneer of journalistic objectivity. His book looks at the various ways in which truth can be manipulated and distorted by governments, corporations, even loan individuals. He shows how truth is often distorted or diminished by delay: truth "in time" can save terrible erroneous choices. In part a history of communication in America, a cri de coeur for the principles and practice of objective reporting, and a journey into several notably labyrinths of deception, "935 Lies" is a valorous search for honesty in an age of casual, sometimes malevolent distortion of the facts.

Many people consider their reputations to be something worth valuing above life itself. Throughout history, there has been no shortage of individuals who have fought duels to the death over matters of honor. Quite a few nations have gone to war with others or annihilated entire segments of their population purportedly in defense of their national honor or that of their race.

Character assassination is an attempt to discredit a person's reputation. The intention is to have the individuals targeted by such campaigns isolated and rejected by his community. Every personal merit or contribution of the individual would be erased under a constant flow of slander. With the pass of time such acts are often difficult to reverse. The process is equivalent to the literal assassination of a human life. The damage sustained can last a lifetime or, for historical figures, for many years and even centuries after their death.

What are the implications of deliberately assassinating a person's character, or of ruining a social group's or institution's reputation? What might be the implications of such actions if they are occurring as a response to the initiatives of a government with sufficient resources to exercise this kind of state-sponsored terrorism? Ready, Aim, Fire Character Assassination in Cuba analyzes this topic through the lens of the Cuban experience over the last fifty years.

In America, under the Constitution of the United States, we have the freedom of speech. This freedom allows us to say what we think and feel about any subject matter, regardless of how the listening ear receives the words being spoken. The mainstream media, such as talk radio, television, and Internet broadcasting, have millions upon millions of Americans tuned in each and every day. As a result, its influence is multitudinous and very powerful. What's being heard, right or wrong, good or bad, accurate or inaccurate, changes the way we think, feel, see, and even interact with one another. It changes the way we vote, thus changing America's leadership and eventually changing America. The Ugly Mouths of America is an insightful look at some of the most vociferous voices in media, such as Rush Limbaugh, Sean Hannity, Glenn Beck, Dr. Laura Schlessinger, and Neal Boortz. It examines the modern origins of the ever-expanding conservative Tea Party movement and its challenges from the NAACP. It contemplates the question of how a message of hate and division changes the spirit of our society. Was America ready for the change promised by President Barack Obama? Would these changes be the beginning of the decline of America on a global scale? To get an inside look at current affairs, the leaders of conservatism, and America's future, before you cast your next vote, you must read The Ugly Mouths of America

In 1898, Gustave LeBon published The Crowd, in which he examined the underlying forces behind the many horrors of the French revolution. More than 100 years later, its premises may be traced to the rise of Hitler, Mussolini, Pol Pot, Mao Tse-Tung, and countless American and European leaders. Here is presented an expansion and update of his work, in the hopes that the mistakes of the past are not repeated. Within is a step-by-step manual for the acquisition of political power, as well as the defense against those who would use the knowledge for their own purposes.

Only weeks after the D-Day invasion of June 6, 1944, a surprising cargo-crates of books-joined the flood of troop reinforcements, weapons and ammunition, food, and medicine onto Normandy beaches. The books were destined for French bookshops, to be followed by millions more American books (in translation but also in English) ultimately distributed throughout Europe and the rest of the world. The British were doing similar work, which was uneasily coordinated with that of the Americans within the Psychological Warfare Division of General Eisenhower's Supreme Headquarters, Allied Expeditionary Force, under General Eisenhower's command. Books As Weapons tells the little-known story of the vital partnership between American book publishers and the U.S. government to put carefully selected recent books highlighting American history and values into the hands of civilians liberated from Axis forces. The government desired to use books to help "disintoxicate" the minds of these people from the Nazi and Japanese propaganda and censorship machines and to win their friendship. This objective dovetailed perfectly with U.S. publishers' ambitions to find new profits in international markets, which had been dominated by Britain, France, and Germany before their book trades were devastated by the war. Key figures on both the trade and government sides of the program considered books "the most enduring propaganda of all" and thus effective "weapons in the war of ideas," both during the war and afterward, when the Soviet Union flexed its military might and demonstrated its propaganda savvy. Seldom have books been charged with greater responsibility or imbued with more significance. John B. Hench leavens this fully international account of the programs with fascinating vignettes set in the war rooms of Washington and London, publishers' offices throughout the world, and the jeeps in which information officers drove over bomb-rutted roads to bring the books to people who were hungering for them. Books as Weapons provides context for continuing debates about the relationship between government and private enterprise and the image of the United States abroad. To see an interview with John Hench conducted by C-SPAN at the 2010 annual conference of the Organization of American Historians, visit: http://www.c-spanvideo.org/program/id/222522.

Although acknowledged as a highly professional military organization, the Wehrmacht has been traditionally exonerated from the crimes attributed to the SS during the Second World War. However, in this radical new study, Omer Bartov shows how the relentless Nazi propaganda machine produced conscripts for Hitler's army who were fully convinced of his horrific views on `inferior peoples', and that it was these ideas, and not the exigencies of war, that motivated their atrocities, particularly those committed against Communist officials and Jews in the Soviet Union.