"This book has no scholarly equivalent in English." . Choice

The Nazis saw film as a major vehicle for both indoctrination and escapist pacification of the "masses"; in fact, Propaganda Minister Joseph Goebbels tried to create a German counter-Hollywood. This highly acclaimed study, by one of Germany's leading commentators and authors on cultural policy, analyses the pictorial and spoken language of the various film genres in the Third Reich, including news reels, documentaries, feature and "cultural" films. It shows how a powerful and sinister propaganda machine emerged which, by deploying a wide range of psychological techniques, exerted a strong fascination on the masses. These methods were so successful that they continue to serve as models for totalitarian regimes to this day.

The Nazis saw film as a major vehicle for both indoctrination and escapist pacification of the "masses"; in fact, Propaganda Minister Joseph Goebbels tried to create a German counter-Hollywood. This highly acclaimed study, by one of Germany's leading commentators and authors on cultural policy, analyses the pictorial and spoken language of the various film genres in the Third Reich, including news reels, documentaries, feature and "cultural" films. It shows how a powerful and sinister propaganda machine emerged which, by deploying a wide range of psychological techniques, exerted a strong fascination on the masses. These methods were so successful that they continue to serve as models for totalitarian regimes to this day.

"The Thought War" is the first book in English to examine the full extent of Japan's wartime propaganda. Based on a wide range of archival material and sources in Japanese, Chinese, and English, it explores the propaganda programs of the Japanese government from 1931 to 1945, demonstrating the true scope of imperial propaganda and its pervasive influence, an influence that is still felt today. Contrary to popular postwar rhetoric, it was not emperor worship or military authoritarianism that led an entire nation to war. Rather, it was the creation of a powerful image of Japan as the leader of modern Asia and the belief that the Japanese could and would guide Asia to a new, glorious period of reform that appealed to imperial subjects. Kushner analyzes the role of the police and military in defining socially acceptable belief and behavior by using their influence to root out malcontents. His research is the first of its kind to treat propaganda as a profession in wartime Japan. He shows that the leadership was not confined to the crude tools of sloganeering and government-sponsored demonstrations but was able instead to appropriate the expertise of the nation's advertising firms to "sell" the image of Japan as Asia's leader and modernizer. In his exploration of the propaganda war in popular culture and the entertainment industry, Kushner discloses how entertainers sought to bolster their careers by adopting as their own pro-war messages that then filtered down into society and took hold. Japanese propaganda frequently conflicted with Chinese and American visions of empire, and Kushner reveals the reactions of these two nations to Japan's efforts and the meaning of their responses.

Written by a group of distinguished security experts, these eight previously unpublished papers focus on the hostile actions of the Soviet Union against the West in the form of psychological operations, power politics, and blackmail. Addressing military professionals, strategists, and international security specialists, the contributors examine the most effective measures the United States and its allies can take to counteract such measures. This is particularly important in the Gorbachev era, when Western security is perhaps more than ever dependent upon knowledge of Soviet psychological operations and political warfare. The book also explores the background of East European resistance to Soviet dominance and the subsequent Soviet countermeasures. Wide-ranging in coverage, the papers explore psychological operation in the United States, Poland, West Germany, France, and Latin America.

Following the editor's introduction to psychological operations, the contributors address such topics as the history and future of U.S. military psychological operations, new thinking and influence activities in the Gorbachev era, terrorism as a political strategy, and contemporary insurgent political and psychological warfare. A case study of the Polish experience illustrates communist regimes' psychological warfare against their own societies. The remaining papers discuss psychological operations and political warfare in long-term U.S. strategic planning, the French experience with Soviet hostile actions, and the argument that psychological warfare is no longer necessary in the age of perestroika and glasnost. The contributors are united in their belief that psychological operations and political warfare will not be eliminated by the sweeping changes affecting the Soviet Union and that the Western democracies are by their very nature particularly vulnerable to such operations. However, given the changing nature of external threats to the West, the contributors call for a reevaluation of strategy in the area of psychological operations, political warfare, and low intensity conflict.

This book analyzes the unique psychological appeal of the airship worldwide and shows how this appeal was exploited for ulterior political purposes. They were used by Count Zeppelin to advance German militarism, American Admiral Moffett to fight US Army aviation ambitions, British Lord Thomson to foster Socialism and strengthen Empire ties, Mussolini to promote Italian Fascism, Stalin to foster world Communism, and Hitler to promote Nazi ideology. As airships roamed worldwide, they carried these political influences with them.

This text investigates the relationship between the Chinese Communist Party's crucial goal of using the propaganda system to consolidate its power within the domestic political environment and its prominent recent attempts to use propaganda overseas to increase China's international power.

With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.

One of Vanity Fair's 21 Best Books of 2020 Winner, 2020 Richard Wall Memorial Award Special Jury Prize, Theatre Library Association The shocking and significant story of how the White House and Pentagon scuttled an epic Hollywood production. Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called "the most important story" he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged. Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military-for reasons of propaganda, politics, and petty human vanity (this was Hollywood). Mitchell has found his way into the lofty rooms, from Washington to California, where it happened, unearthing hundreds of letters and dozens of scripts that show how wise intentions were compromised in favor of defending the use of the bomb and the imperatives of postwar politics. As in his acclaimed Cold War true-life thriller The Tunnels, he exposes how our implacable American myth-making mechanisms distort our history.

Political Warfare against the Kremlin provides a comparative study and holistic review of American and British propaganda policy toward the Soviet Union during the first fifteen years of the Cold War, ranging from the role senior policymakers played in setting propaganda policy to the West's radio broadcasts to the Soviet Union.

Arming Americans to defend the truth from today's war on facts.Disinformation. Trolling. Conspiracies. Social media pile-ons. Campus intolerance. On the surface, these recent additions to our daily vocabulary appear to have little in common. But together, they are driving an epistemic crisis: a multi-front challenge to America's ability to distinguish fact from fiction and elevate truth above falsehood. In 2016 Russian trolls and bots nearly drowned the truth in a flood of fake news and conspiracy theories, and Donald Trump and his troll armies continued to do the same. Social media companies struggled to keep up with a flood of falsehoods, and too often didn't even seem to try. Experts and some public officials began wondering if society was losing its grip on truth itself. Meanwhile, another new phenomenon appeared: "cancel culture." At the push of a button, those armed with a cellphone could gang up by the thousands on anyone who ran afoul of their sanctimony. In this pathbreaking book, Jonathan Rauch reaches back to the parallel eighteenth-century developments of liberal democracy and science to explain what he calls the "Constitution of Knowledge" our social system for turning disagreement into truth. By explicating the Constitution of Knowledge and probing the war on reality, Rauch arms defenders of truth with a clearer understanding of what they must protect, why they must do so and how they can do it. His book is a sweeping and readable description of how every American can help defend objective truth and free inquiry from threats as far away as Russia and as close as the cellphone.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Is social media destroying democracy? Are Russian propaganda or "Fake news" entrepreneurs on Facebook undermining our sense of a shared reality? A conventional wisdom has emerged since the election of Donald Trump in 2016 that new technologies and their manipulation by foreign actors played a decisive role in his victory and are responsible for the sense of a "post-truth" moment in which disinformation and propaganda thrives. Network Propaganda challenges that received wisdom through the most comprehensive study yet published on media coverage of American presidential politics from the start of the election cycle in April 2015 to the one year anniversary of the Trump presidency. Analysing millions of news stories together with Twitter and Facebook shares, broadcast television and YouTube, the book provides a comprehensive overview of the architecture of contemporary American political communications. Through data analysis and detailed qualitative case studies of coverage of immigration, Clinton scandals, and the Trump Russia investigation, the book finds that the right-wing media ecosystem operates fundamentally differently than the rest of the media environment. The authors argue that longstanding institutional, political, and cultural patterns in American politics interacted with technological change since the 1970s to create a propaganda feedback loop in American conservative media. This dynamic has marginalized centre-right media and politicians, radicalized the right wing ecosystem, and rendered it susceptible to propaganda efforts, foreign and domestic. For readers outside the United States, the book offers a new perspective and methods for diagnosing the sources of, and potential solutions for, the perceived global crisis of democratic politics.

How do governments that do not enjoy formal diplomatic relations use propaganda? When a government is denied recognition by the international community, it must explore every avenue of publicity available to project its image and policies. For such actors, propaganda can become diplomacy out of necessity. The Republic of China on Taiwan is such a government, and its predicament is the subject of this book. It discusses the relationship between diplomacy and propaganda from an exciting new perspective, illustrated by a fascinating case-study.

Using recently declassified sources, this book provides the first detailed analysis of British and American propaganda, targeting the countries of the Middle East, during the years of increasing international tension and regional instability, immediately following the end of the Second World War. Considering British and American propaganda within the framework of the Cold War crusade against Communism and the Soviet Union, and the developing confrontations between Arab nationalism and the West, the book investigates the central questions of Anglo-American partnership and rivalry in the period when primary responsibility for 'policing' the Middle East passed from one to the other.

This book examines the idea of fake news through an analysis of the work of early to mid-twentieth century press critic George Seldes. By examining fake news - also known as propaganda and misinformation - from this period it becomes evident that it is a phenomenon that emerges in response to particular social, political and economic conditions. It is, therefore, not a new process but always a feature of the media ecosystem. Seldes' work makes evident that contemporary anxieties about the role, function, future and credibility of journalism were expressed in the 1930s and 1940s. The same fears were circulated about the consequences of fake news and propaganda on democratic debate. The same concerns were also expressed about how technology extends the circulation of propaganda and fake news, and affects journalism practices. An analysis of Seldes' media criticism of the fake news, lies and propaganda in daily newspapers in the 1930s and 1940s exposes the historical nature and impact of fake news on public debate, and affirms the critical role of journalists in exposing fake news.

The scene: An Indian television journalist is drafted in to lead the setting up of a new 24/7 television news channel in South Africa. The goal: To create a world class news product. This is the story of the three months Rajesh Sundaram, along with a small team of Indian television professionals, took to launch what was to be the biggest news channel in South Africa. However, this launch was not without its wide range of challenges, catastrophes and social media entertainment.

From capricious, micro-managing owners who had a political and commercial agenda to the shocking abuse of staff and violation of laws, finally resulting in a tempestuous and very public parting of ways, Indentured is the true story behind the launch of ANN7 - better known as Gupta TV.

This is behind the scenes, disclosing a range of delicious stories about the Gupta brothers, and their relationship with Number 9. And yes; you'll be told exactly why he is called Number 9.

The first study to examine psychological warfare in the context of the Arab-Israeli conflict, this book presents a rational analysis of the Arab and Israeli struggles to gain the world's sympathy and support, tracing these struggles from the British Mandate to the more recent HAMAS abduction of IDF soldier Gilad Shalit.

Now updated with a new introduction and bibliography Ian Kershaw's classic study of popular responses to Nazi policy and ideology explores the political mentality of 'ordinary Germans' in one part of Hitler's Reich. Basing his account on many unpublished sources, the author analyses socio-economic discontent and the popular reaction to the anti-Church and anti-Jewish policies of the Nazis, and reveals the bitter divisions and dissent of everyday reality in the Third Reich, in stark contrast to the propaganda image of a 'National Community' united behind its leaders. The focus on one particular region makes possible a depth of analysis that takes full account of local and social variations, and avoids easy generalization; but the findings of this study of ordinary behaviour in a police state have implications extending far beyond the confines of Bavaria or indeed Germany in this period.

This is a study of how the British in World War II used propaganda - mostly radio broadcasts, mostly the BBC - to reach out to the peoples of Nazi-Occupied Europe to elicit the patriotic and militant responses termed 'resistance'. It sets the attempt at political warfare in the context of British diplomacy and of armed resistance as it took shape in France, Denmark, Poland, and Yugoslavia.

This study is an inquiry into the fortunes, in both theory and practice, of the idea of history painting during the Napoleonic period. Its main argument is that under Napoleon, French history painting, especially battle painting, encountered a series of questions as to its nature and function. These questions arose in part from the (often contradictory) demand of a propaganda-machine operating within a postrevolutionary crisis of political legitimation, but also from changes in artistic taste which both retained and re-directed an earlier notion of the civic responsibilities of the history painter. This is a resolutely interdisciplinary book: drawing on perspectives from political thought and history, military theory and practice and art history, which centres on the work of the painter, Antoine-Jean Gros, and his controversial painting, La Bataille d'Eylau. `Detailed and highly intelligent . . . this book is a significant addition to the literature on French art of the early nineteenth century.' Times Literary Supplement

An unprecedented behind-the-scenes portrait of the Trump presidency from the anonymous senior official and author of the now famous New York Times op-ed titled ‘I Am Part of the Resistance Inside the Trump Administration.’ Picking up from where those first words of warning left off, this explosive book offers a shocking, firsthand account of President Trump and his record.

Who is Anonymous?
The author of A WARNING is the senior Trump Administration official who wrote the now famous New York Times op-ed on September 15, 2018 titled ‘I Am Part of the Resistance Inside the Trump Administration.’

Will Anonymous’ identity be revealed?
No, the author will remain anonymous, their identity a secret. There will be no interviews.

What happens to the money Anonymous will make from this book?
Anonymous did not take an advance to write A WARNING. If there are royalties for A WARNING, Anonymous plans on donating them substantially to non-profit organizations that focus on government accountability and on supporting those who stand up for the truth in repressive countries around the world.

This is a social biography of Deng Tuo (1912-66), journalist, editor, and theorist, who is variously seen as a dissident and a propagandist for Mao. Its broader purpose is to re-examine the role of intellectuals in China's communist revolution.

Hasbara (explaining), the Israeli variant of public diplomacy, is the subject of endless domestic debate. Israel in the 1960s and 1970s saw many changes in its political and military international stage. This was a period of unusually intensive attention to the problems of hasbara, beginning with the appointment of Yisrael Galili as minister with responsibility for government communications and ending with the dismantling of the Ministry of Information in 1974, less than a year after it had been created. Israel had only been able to "muddle through," and, at the end, there was no greater sophistication in Israeli thinking and no stronger administrative structure in spite of many organizational changes. Accessible to anyone interested in the history of Israel as well as political history and diplomacy, the book serves as a case study of how entrenched political culture can limit policy options and casts light on the emergence of public diplomacy as a feature of foreign policy.