"Tsesis lays out theoretical foundations that he argues should be intrinsic to a representative democracy . . . an important contribution to the literature about civil liberties and human rights."
--"Choice"

"The genuine accomplishment of Tsesis's book...is to focus the hate speech debate on explicitly normative issues."
--"Michigan Law Review"

"[A] comprehensive and brilliant book from both a historical and analytical perspective. Drawing from the lessons of history, Alexander Tsesis shows persuasively the relevance of the Thirteenth Amendment to a wide range of the social and economic issues currently facing America, and he offers highly creative arguments that support the use of congressional power under the Thirteenth Amendment as a potent and effective means of meeting and resolving these issues."
--G. Sidney Buchanan, Baker & Botts Chaired Professor of Law, University of Houston Law Center

"Tsesis vigorously presents a set of arguments that are rarely found in the conventional legal literature. . . . An interesting and challenging book."
--Sanford V. Levinson, W. St. John Garwood and W. St. John Garwood, Jr. Centennial Chair in Law and Professor of Government, University of Texas at Austin School of Law

In this narrative history and contextual analysis of the Thirteenth Amendment, slavery and freedom take center stage. Alexander Tsesis demonstrates how entrenched slavery was in pre-Civil War America, how central it was to the political events that resulted in the Civil War, and how it was the driving force that led to the adoption of an amendment that ultimately provided a substantive assurance of freedom for all American citizens.

The story of howSupreme Court justices have interpreted the Thirteenth Amendment, first through racist lenses after Reconstruction and later influenced by the modern civil rights movement, provides valuable insight into the tremendous impact the Thirteenth Amendment has had on the Constitution and American culture. Importantly, Tsesis also explains why the Thirteenth Amendment is essential to contemporary America, offering fresh analysis on the role the Amendment has played regarding civil rights legislation and personal liberty case decisions, and an original explanation of the substantive guarantees of freedom for today's society that the Reconstruction Congress envisioned over a century ago.

The Battle of Britain lasted for sixteen weeks during later 1940, yet this struggle for air supremacy was vital in thwarting Hitler's invasion threat. The Good Fight discusses wartime propaganda where "The Few," the RAF's fighter and bomber pilots, captivated the world through their combat prowess and valour. Projected through press, film, radio broadcasts and publications, this book assesses the constituencies, organisations, censorship and approaches deployed in exploiting this fortuitous opportunity, and the impact upon British morale. Charting its roots in the run up to war, it discusses the evolving propaganda coverage throughout the war years, and the post-war historiography.

Visions of Empire explores film's function as a medium of political communication, recognizing not just the propaganda film, but the various ways that conventional narrative films embody, question, or critique established social values underlying American attitudes toward historical, social, and political events. Stephen Prince discusses Hollywood film productions of the 1980s in terms of salient political issues of the period, including anxieties about declining U.S. military power, the wars in Central America and the prospects for U.S. intervention, the legacy of the Vietnam War, and urban decay. In analyzing these images and narratives, the author also describes and evaluates the cinematic styles available in the Hollywood tradition to filmmakers who address political issues. Chapter 1 establishes the theoretical framework by considering features of the political landscape of the Reagan era. Theories about political representation and the place of ideology in film are also examined. Chapters 2 through 5 focus on the major cycles of political films. Chapter 2 examines the new Cold War films which played upon fears of the Soviet menace (Rambo, Invasion USA, Red Dawn, and Top Gun). Chapter 3 discusses the small group of films--Under Fire, Salvador, El Norte and others--that addressed the wars in Latin America and the ways they explained the origins of the conflicts and the U.S. role therein. Various histories and mythologies on film of the Vietnam War are examined in Chapter 4 as examples of the symbolic reconstruction of social memory. Chapter 5 looks at politicized science fiction films (Blade Runner, Aliens, Robocop, and Total Recall) offering critical commentaries on the pathologies of contemporary urban society and capitalism.

Seventy-five years after the Battle of Britain, the Few's role in preventing invasion continues to enjoy a revered place in popular memory. The Air Ministry were central to the Battle's valorisation. This book explores both this, and also the now forgotten 1940 Battle of the Barges mounted by RAF bombers.

Government agencies have tended to attempt to project favorable public images of themselves as a method of building the public support they need to survive, all the more so in times of increasingly sophisticated communications and decreasingly available financial resources. This study analyzes NASA's efforts to build political support through its public image. Throughout its tumultuous history, the space agency has carefully tailored its use of basic images: nationalism (during the Mercury era), romanticism (during the Apollo era), and pragmatism (during the Shuttle era)--to fit its prevailing political circumstances. This in-depth study will be of keen interest to scholars in political science and political communication.

This text concerns the origins, organization and method of British, American and Soviet propaganda during the 1950s. It discusses propaganda's international and domestic dimensions, and charts the development of a shared Cold War culture. The book demonstrates how the structures of propaganda which were organized at this time endured, giving shape and meaning to the remaining years of the Cold War.

The way in which social media is utilized has changed over the years, making it a growing forum for political discussion. Due to this, analyzing relationships between social media and politics can lead to an increased awareness of current political affairs. Political Scandal, Corruption, and Legitimacy in the Age of Social Media is an essential research source for the latest information on national and international political propaganda and opinions spread by technological forums. Featuring expansive coverage on a number of relevant topics and perspectives, such as environmental justice, alternative ideology, and information and communication technologies (ICTs), this publication is ideally designed for researchers, students, and professionals seeking current research on the connection between social media and politics and its impact on modern society.

This book examines the origins of Ireland in its first independent incarnation, the Irish Free State (1922-1937). It explores how contemporary public relations and propaganda techniques were used to construct an identity for this new state - a state which after enduring seven years of insurrection and civil war, became one of the most stable democracies in Europe. This stability, the book argues, was constructed not solely through policies enacted by governments, but through the construction of a Gaelic, Catholic and Celtic national identity. By shifting the perspective to how nation building was communicated, it weaves an interdisciplinary narrative that initiates a new understanding of nation building - providing insights of increasing relevance in current world events. Avoiding a simplistic cause and effect history of public relations, the book examines the uses and effects of early public relations from a political and societal perspective and suggests that while governments were only modestly successful in their varied propaganda efforts, cumulatively they facilitated a transition from violence to peace. This will be of interest to researchers and advanced students with an interest in public relations, propaganda studies, nation building and Irish studies.

This book adopts the method of grounded theory in studying national communication campaigns in China, referred to as propaganda campaigns in the Chinese linguistic context. The study provides an exploratory and descriptive analysis of the ways in which the media in China fulfilled their function of building a Socialist spiritual civilisation and maintaining national integration during state propaganda campaigns. Explanations for the success and limitations of the campaigns are clearly expressed and combined with cautious statements on the limited role of the media in the process of national integration. The three major communication campaigns detailed in this book offer revelations regarding how to maintain mass morale and revive the national spirit at a time when economic pursuits and aspirations seem to be the top priority for individuals and institutions. A chief premise underpinning this study is that economic growth is not to be equated with social progress or human development, the latter encompassing a far more profound spiritual dimension, which takes far more delicate efforts to accomplish.

Today hundreds of millions of people throughout the world depend on international radio broadcasting for their understanding of national and international political affairs. Broadcasting Propaganda represents the first application of theory and research in sociology and communication to analyze the contents of this medium of international political communication. Wasburn illustrates how two theoretical perspectives, social construction of reality theory and media-system-dependency theory, can be applied to understand the ways in which nations use symbolic means to position themselves in the international arena of political competition. The study begins with two chapters that outline the history of international radio broadcasting, identifying the medium's involvement in maintaining colonial empires, supporting wars, promoting revolutionary and counterrevolutionary action, and legitimating the policies of sponsoring states. The third chapter introduces social construction of reality theory and media-system-dependency theory, indicating their relevance to understanding the newscasts and other programming of international broadcasting organizations. The two following chapters present empirical case studies of international broadcasting: one analyzes Voice of America and Radio Moscow broadcasts to the Third World toward the end of the Cold War; the other explores South Africa's use of radio to broadcast counter-propaganda. In the sixth and final chapter, Wasburn winds up his discussion by charting the the possible course of broadcasting in light of the world political situation since 1989 and suggests an agenda for future research

This important new book assembles the work of leading figures in contemporary propaganda scholarship. Analyzing propaganda from a multidisciplinary focus, the book presents several contemporary theoretical perspectives, explores key issues in propaganda analysis, and defines two major research traditions while providing examples of their applications. The contributors examine many of the most complicated issues in the field: the nature of suggestion, the relation of propaganda to ideology, and the interaction of pluralism and truth. Various chapters, written by scholars of communication, rhetoric, journalism, mass communication, government, history, and political science, consider both historical and contemporary issues and events in relation to propaganda. Propaganda: A Pluralistic Perspective marks the renewed development of scholarship in this fascinating field and extends the depth and range of propaganda analysis. The book begins with a focus on theoretical and definitional concerns, including a history of American propaganda analysis and traces four social responses to the subject. Further chapters develop different theoretical positions from diverse perspectives. The book concludes with a focus on key issues in propaganda research, including a study of First Amendment issues in the recent legal controversy over the classification of three Canadian films as political propaganda. Students and scholars of communication, rhetoric, journalism, history, political science, sociology, and many other disciplines will find Propaganda: A Pluralistic Perspective a provocative book full of stimulating ideas.

The end of the 1990s saw increasing criticism of the media's treatment of the scandals in Washington. Critics complained that journalists either had not covered the political crisis well, that they had bungled it, or that they had simply blown it out of proportion. Some went so far as to call the situation Pressgate. As Hayden points out, however, the larger question remained: What was Clinton's overall relationship with the media?

Hayden examines presidential-press relationships in the 1990s, focusing first on the 1992 campaign, then on issues and events over Clinton's two terms. He analyzes the press response to the programs of the Clinton era as well as the scandals, the roles of consultants like James Carville, the effectiveness of various press secretaries, and the use of pollsters like Dick Morris. He also examines the fate of the First Amendment in the 1990s and how Clinton responded to freedom of expression concerns. This analysis will be of interest to media specialists as well as the general public concerned with contemporary Washington politics and journalism.

In Art and Politics, Segal explores the collision of politics and art in seven enticing essays. The book explores the position of art and artists under a number of different political regimes of the twentieth and twenty-first centuries, traveling around the world to consider how art and politics have interacted and influenced each other in different conditions. Joes Segal takes you on a journey to the Third Reich, where Emil Nolde supported the regime while being called degenerate; shows us Diego Rivera creating Marxist murals in Mexico and the United States for anti-Marxist governments and clients; ties Jackson Pollock's drip paintings in their Cold War context to both the FBI and the CIA; and considers the countless images of Mao Zedong in China as unlikely witnesses of radical political change.

In the early 1990s, false reports of Iraqi soldiers in Kuwait allowing premature infants to die by removing them from their incubators helped to justify the Persian Gulf War, just as spurious reports of weapons of mass destruction later undergirded support for the Iraq War in 2003. In The Discourse of Propaganda, John Oddo examines these and other such cases to show how successful wartime propaganda functions as a discursive process. Oddo argues that propaganda is more than just misleading rhetoric generated by one person or group; it is an elaborate process that relies on recontextualization, ideally on a massive scale, to keep it alive and effective. In a series of case studies, he analyzes both textual and visual rhetoric as well as the social and material conditions that allow them to circulate, tracing how instances of propaganda are constructed, performed, and repeated in diverse contexts, such as speeches, news reports, and popular, everyday discourse. By revealing the agents, (inter)texts, and cultural practices involved in propaganda campaigns, The Discourse of Propaganda shines much-needed light on the topic and challenges its readers to consider the complicated processes that allow propaganda to flourish. This book will appeal not only to scholars of rhetoric and propaganda but also to those interested in unfolding the machinations motivating America's recent military interventions.

Was Nazi wartime propaganda a 'totalitarian' mechanism that controlled the perceptions of the Germans? Was it as effective as generally thought? Did it 'win' the psychological war over the minds of the population? Was Joseph Goebbels the 'mastermind' of the Third Reich? This book analyzes the factors that determined the organization, conduct and output of Nazi propaganda during World War II, in an attempt to re-assess previously inflated perceptions about the influence of Nazi propaganda and the role of the regime's propagandists in the outcome of the 1939-45 military conflict.

Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945. Hitler and his followers believed that art and culture were expressions of race, and that "Aryans" alone were capable of creating true art and preserving true German culture. This volume's essays explore these and other aspects of the arts and cultural life under National Socialism, and are authored by some of the most respected authorities in the field: Alan Steinweis, Michael Kater, Eric Rentschler, Pamela Potter, Frank Trommler, and Jonathan Petropoulos. The result is a volume that offers students and interested readers a brief but focused introduction to this important aspect of the history of Nazi Germany.

Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation's past"monuments, cultural property, and art-historical icons"were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.

The Cold War on Film illustrates how to use film as a teaching tool. It stands on its own as an account of both the war and the major films that have depicted it. Memories of the Cold War have often been shaped by the popular films that depict it-for example, The Manchurian Candidate, The Hunt for Red October, and Charlie Wilson's War, among others. The Cold War on Film examines how the Cold War has been portrayed through a selection of 10 iconic films that represent it through dramatization and storytelling, as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events. Each of the 10 chapters that follow focuses on a specific Cold War film. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A comprehensive annotated bibliography of print and electronic sources aids students and teachers in further research. Provides a unique guide to the Cold War experience for film history buffs, students and scholars of history, and fans of cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

An exposition and analysis of the development of propaganda, focusing on how the development of radio transformed the delivery and impact of propaganda and led to the use of radio to incite hatred and violence.

Focusing on freedom of speech, this text deals with the perennial problem of how a small country should react in the face of pressure threatening its sovereignty. Should it give way or resist? The author describes in detail how the Soviet Union operated both overtly and covertly in the propaganda war and discusses the reactions of the West, the United States, Great Britain, West Germany and Sweden.

Facts are and must be the coin of the realm in a democracy, for government "of the people, by the people and for the people," requires and assumes to some extent an informed citizenry. Unfortunately, for citizens in the United States and throughout the world, distinguishing between fact and fiction has always been a formidable challenge, often with real life and death consequences. But now it is more difficult and confusing than ever. The Internet Age makes comment indistinguishable from fact, and erodes authority. It is liberating but annihilating at the same time.
For those wielding power, whether in the private or the public sector, the increasingly sophisticated control of information is regarded as utterly essential to achieving success. Internal information is severely limited, including calendars, memoranda, phone logs and emails. History is sculpted by its absence.
Often those in power strictly control the flow of information, corroding and corrupting its content, of course, using newspapers, radio, television and other mass means of communication to carefully consolidate their authority and cover their crimes in a thick veneer of fervent racialism or nationalism. And always with the specter of some kind of imminent public threat, what Hannah Arendt called 'objective enemies.'"
An epiphanic, public comment about the Bush "war on terror" years was made by an unidentified White House official revealing how information is managed and how the news media and the public itself are regarded by those in power: " You journalists live] "in what we call the reality-based community. But] that's not the way the world really works anymore. We're an empire now, and when we act, we create our own reality . . . we're history's actors . . . and you, all of you, will be left to just study what we do." And yet, as aggressive as the Republican Bush administration was in attempting to define reality, the subsequent, Democratic Obama administration may be more so.
Into the battle for truth steps Charles Lewis, a pioneer of journalistic objectivity. His book looks at the various ways in which truth can be manipulated and distorted by governments, corporations, even loan individuals. He shows how truth is often distorted or diminished by delay: truth "in time" can save terrible erroneous choices. In part a history of communication in America, a cri de coeur for the principles and practice of objective reporting, and a journey into several notably labyrinths of deception, "935 Lies" is a valorous search for honesty in an age of casual, sometimes malevolent distortion of the facts.

This timely book spotlights how various entities are using the Internet to shape people's perceptions and decision-making. Also describes detailed case studies as well as the tools and methods used to identify automated, fake accounts. This book brings together three important dimensions of our everyday lives. First is digital-the online ecosystem of information providers and tools, from websites, blogs, discussion forums, and targeted email campaigns to social media, video streaming, and virtual reality. Second, influence-the most effective ways people can be persuaded, in order to shape their beliefs in ways that lead them to embrace one set of beliefs and reject others. And finally, warfare-wars won by the information and disinformation providers who are able to influence behavior in ways they find beneficial to their political, social, and other goals. The book provides a wide range of specific examples that illustrate the ways people are being targeted by digital influencers. There is much more to digital influence warfare than terrorist propaganda, "fake news," or Russian efforts to manipulate elections: chapters examine post-truth narratives, fabricated "alternate facts," and brainwashing and disinformation within the context of various political, scientific, security, and societal debates. The final chapters examine how new technical tools, critical thinking, and resilience can help thwart digital influence warfare efforts. Integrates interdisciplinary perspectives from security studies, psychology, sociology, criminology, information technology, and several other fields of study Examines the ways in which terrorists, governments, politicians, corporations, and many others use online technology to influence beliefs and behaviors Offers detailed case studies to illustrate how people succumb to the digital influence warfare efforts of governments, terrorists, politicians, corporations, and others Explains the tools and methods used to identify automated, fake accounts on social media ("bots") as well as efforts to delete or suspend users for offensive content or attempts to spread disinformation Provides clear explanations of technical terms and tools used by those who engage in these digital influence efforts

A new assessment of the debates about Just War in the twentieth and twenty-first centuries, from the imperial wars of the nineteenth century through the age of total war, the evolution of human rights discourse and international law, to proportionality during the Cold War and the redefinition of authority with the ascendancy of terror groups.

Of all of Soviet cultural myths, none was more resilient than the belief that the USSR had the world's greatest readers. This book explains how the 'Russian reading myth' took hold in the 1920s and 1930s, how it was supported by a monopolistic and homogenizing system of book production and distribution, and how it was challenged in the post-Stalin era; first, by the latent expansion and differentiation of the reading public, and then, more dramatically, by the economic and cultural changes of the 1990s.