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Visions of Empire - Political Imagery in Contemporary American Film (Hardcover, New edition)
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Visions of Empire - Political Imagery in Contemporary American Film (Hardcover, New edition)
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Visions of Empire explores film's function as a medium of political
communication, recognizing not just the propaganda film, but the
various ways that conventional narrative films embody, question, or
critique established social values underlying American attitudes
toward historical, social, and political events. Stephen Prince
discusses Hollywood film productions of the 1980s in terms of
salient political issues of the period, including anxieties about
declining U.S. military power, the wars in Central America and the
prospects for U.S. intervention, the legacy of the Vietnam War, and
urban decay. In analyzing these images and narratives, the author
also describes and evaluates the cinematic styles available in the
Hollywood tradition to filmmakers who address political issues.
Chapter 1 establishes the theoretical framework by considering
features of the political landscape of the Reagan era. Theories
about political representation and the place of ideology in film
are also examined. Chapters 2 through 5 focus on the major cycles
of political films. Chapter 2 examines the new Cold War films which
played upon fears of the Soviet menace (Rambo, Invasion USA, Red
Dawn, and Top Gun). Chapter 3 discusses the small group of
films--Under Fire, Salvador, El Norte and others--that addressed
the wars in Latin America and the ways they explained the origins
of the conflicts and the U.S. role therein. Various histories and
mythologies on film of the Vietnam War are examined in Chapter 4 as
examples of the symbolic reconstruction of social memory. Chapter 5
looks at politicized science fiction films (Blade Runner, Aliens,
Robocop, and Total Recall) offering critical commentaries on the
pathologies of contemporary urban society and capitalism.
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