This truly global and visually stunning  compendium showcases some of the most breath-taking pieces of street art and graffiti from around the world. Since its genesis on the East Coast of the United States in the late 1960s, street art has travelled to nearly every corner of the globe, morphing into highly ornate and vibrant new styles. This unique atlas is the first truly geographical survey of urban art, revised and updated in 2023 to include new voices, increased female representation and cities emerging as street art hubs. Featuring specially commissioned works from major graffiti and street art practitioners, it offers you an insider’s view of the urban landscape as the artists themselves experience it. Organized geographically, by continent and by city – from New York, Los Angeles and Montreal in North America, through Mexico City and Buenos Aires in Latin America, to London, Berlin and Madrid in Europe, Sydney and Auckland in the Pacific, as well as brand new chapters covering Africa and Asia – it profiles more than 100 of today’s most important artists and features over 700 astonishing artworks. This beautifully illustrated book, produced with the help of many of the artists it features, dispels the idea of such art as a thoughtless defacement of pristine surfaces, and instead celebrates it as a contemporary and highly creative inscription upon the skin of the built environment.

Today, known for its black and white portraits covering entire buildings, Hendrik Beikirch today presents the Siberia project, a project in the continuity of Tracing Morocco started in 2014. The intensity of these powerful foreign faces recalls a familiarity that can be experienced anywhere in the world. Beikirch takes these studies of humanity with him on his travels and permeates them as traces of personified life in new contexts. The project is the result of Beikirch's meeting with this distant immensity that is Siberia. From this project was born the book Siberia, which gives an overview of all the works created, paintings, and 10 murals carried out all over the world. Text in English, French and Russian.

In a visual feast, hundreds of vibrant images showcase the work of South Africa's most influential graffiti artists, which will entertain and inspire graffiti enthusiasts and art fanatics all over the world. Selective interviews with major graffiti personalities reveal their passions and inspirations and cover all aspects of the movement, creating a true representation of its evolution. Initially unknown for its graffiti scene, South Africa has now become a prime destination for many renowned international graffiti writers. From underground tunnels and abandoned buildings to train yards and townships, local writers, each with their own distinct style, spread their work across the nation. Now, for the first time ever, the global spotlight can fall on these talented artists.

Highlighting both the relevance of Banksy's street art and how his impact has continued to spread, Planet Banksy brings together some of the very best pieces of art from all corners of the world that have been inspired by Banksy, as well as featuring some of his own innovative, profound and controversial work. 'A thought-provoking comparison with the works of his students.' Publishers Weekly ______ Banksy is the world's foremost graffiti artist, his work adorning streets, walls and bridges across nations and continents. His stencil designs are instantly recognizable and disturbingly precise in their social and political commentary, flavoured with subtle humour and self-awareness. More popular than ever, Banksy has spawned countless imitators, students and fans alike, his fame - although unlooked-for - inevitably transmitting his ideas and work to the international arena. With a range of topics for the graffiti lover, coming from a variety of inspirational sources, this book provides an overview of how Banksy's work is changing the face of modern art - as well as the urban landscape. Distilling his influence and his genius into an easily accessible full-colour 128 pages, this is the perfect purchase for any fan of Banksy or the graffiti art scene.

Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well practiced penmanship. The most reviled and persecuted form of Graffiti, the Tag, is seldom appreciated for the raw beauty of its skeletal letter forms. Most tags are removed immediately, and thus the casual viewer seldom has a chance to discern the difference between entry level and advanced hand styles. Within the pages of Flip the Script, author Christian Acker has systematically analyzed the best graffiti hand styles, contextualizing the work of graffiti writers from around the United States. Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.

This book is the most extensive contribution to our understanding of the graffiti subculture to date. Using insights from ethnographic research conducted in London and New York, this book explores the varying ways young men use graffiti to construct masculinity, claim power, and establish independence from the institutions which define, and often limit, them as young people. Forging a link between subcultural practice and identity construction, this book will be essential reading for anyone interested in new understandings of youth and their subcultures.

Graffiti School is the world's first fully illustrated graffiti coursebook for college use. It opens with an exploration of graffiti's background and history, from Pompeii to the Hip Hop revolution to the present day, as well as how to stay on the right side of the law. It then introduces modern-day graffiti media and terminology, going on to conduct the reader through the process of designing graffiti, setting out the possibilities and skills needed to create a successful work on paper, ready to be transferred to a wall. The author explains the practical techniques of using a spray can, and the step-by-step methods and skills required to create artistic graffiti. The final section is a manual designed specifically to be of use to teachers. It gives ideas for running both theoretical and practical graffiti lessons and units, as well as providing suggestions on the details, such as marking schemes and ideas for class trips.

A landmark exploration of the sold, stolen, and destroyed works of Banksy, perhaps one of the most famous and controversial living artists of our time.

A victim of his own success, Banksy is famous the world over and yet more famously disdainful of the spotlight, preferring to remain anonymous. Considered by many to be one of the greatest living artists in the world and to others a rogue vandal with a political agenda, Banksy has scandalized and enlightened the art world since his acts of guerrilla art began to appear on the streets of Barton Hill in Bristol over 25 years ago. However, this is a book about what you can’t see: the works that have disappeared entirely, whether removed by authorities or whisked into people’s private art collections to languish on walls or in collector’s vaults. These remarkable works are as elusive as their creator but are returned here for public consumption and enjoyment.

Works unveiled in Banksy’s Lost Works include a series of seven pieces painted on partially destroyed buildings around Kyiv, Ukraine, one of which has already been cut off the wall by a group of locals; Valentine’s Day Mascara in Margate that has now been restored and housed in Dreamland after several interventions by Thanet District Council; and Banksy’s disappearing rats, an early symbol of the artist routinely painted over by councils when the name Banksy was more synonymous with “vandal” than “artist.”

Does street art exist in spotless Tokyo? Yes! But strict vandalism laws and conservative Japanese culture have suppressed the graffiti scene in Tokyo. This stunning survey by photographer and graffiti artist Lord K2 takes you into the Tokyo neighborhoods exhibiting a colorful array of urban art created on the fly and as low-key as possible. Here is a look at vibrant stickers, tags, highly elaborate murals by both local and international artists, and a gallery of work by the artist network Pow! Wow! Worldwide. The images are accompanied by well-researched commentary and a history of Tokyo graffiti, positioning this book as a comprehensive introduction to the best-kept secrets Tokyo's graffiti scene has to offer.

This monograph gathers and presents the largest assemblage in one volume about the life, work, and ideas of Banksy - the world's most discussed artist of recent decades. Featuring hundreds of works - Girl with Balloon, Mickey Snake, Dismaland, Love is in the Air, Barcode, Monkey Queen -- the book includes reproductions of paintings, serigraphs, and stencils. The most iconic works are here, but so too are numerous installation objects and a selection of memorabilia all with the official approval of Pest Control, the group that manages all things Banksy. Banksy is considered the world's greatest practitioner of street art at work today. His work has always implied political critiques - of inequality, injustice, discrimination, consumerism, pollution, and the establishment. But, Banksy is a ghost -- no one knows his identity. He is an exemplary case of fame and notoriety built upon absence, anonymity, and the denial of one's explicit contribution to the public debate if not in terms of creative activism. Banksy's relationship with the art market is also complex: at the same time mocking, distant, and hostile and yet all he does is based upon a marketing logic that has proven to be among the most effective ever attempted. In short, an apparent (or real) contradiction between adhesion to the market and ferocious criticism of the market itself. This volume is published to coincide with a major traveling exhibition of over one hundred Banksy works, but it is sure to be a must have for art lovers and Banksy fans alike for years to come.

This is the illustrated story of New York artist Chris Daze Ellis's successful transition from the subways to international studios and galleries. Follow his 30+ year career from his days as a teenage graffiti writer to his current life as a professional painter, mentor, and family man. This book, with more than 250 photographs, is a journey tracking the seminal moments in Daze's life that shaped his art. View his aesthetic evolution, from "Graffiti High" (New York's High School of Art and Design) and an "unsanctioned" street art phase to exhibitions with Keith Haring and Jean-Michel Basquiat. Train photos from the 1970s and '80s, a broad representation of Daze's studio and mural works, and personal photos guide the reader through an artistic portfolio spanning five decades. Contributions by graffiti writer Jay "J.SON" Edlin and essayist Claire Schwartz, and a foreword by graffiti historian and chronicler Sacha Jenkins, complete this volume.

Essential quotations from renowned artist and pop icon Keith Haring Keith Haring remains one of the most important and celebrated artists of his generation and beyond. Through his signature bold graphic line drawings of figures and forms dancing and grooving, Haring's paintings, large-scale public murals, chalk drawings, and singular graffiti style defined an era and brought awareness to social issues ranging from gay rights and AIDS to drug abuse prevention and a woman's right to choose. Haring-isms is a collection of essential quotations from this creative thinker and legendary artist. Gathered from Haring's journals and interviews, these lively quotes reveal his influences and thoughts on a variety of topics, including birth and death, possibility and uncertainty, and difference and conformity. They demonstrate Haring's deep engagement with subjects outside of the art world and his outspoken commitment to activism. Taken together, this selection reflects Haring's distinctive voice and reminds us why his work continues to resonate with fans around the globe. Select quotations from the book: "Art lives through the imaginations of the people who are seeing it. Without that contact, there is no art." "It's a huge world. There are lots and lots and lots of people that I haven't reached yet that I'd like to reach." "Art is one of the last areas that is totally within the realm of the human individual and can't be copied or done better by a machine." "The artist, if he is a vessel, is also a performer." "No matter how long you work, it's always going to end sometime. And there's always going to be things left undone." "I decided to make a major break. New York was the only place to go." "I came to believe there was no such thing as chance. If you accept that there are no coincidences, you use whatever comes along." "There was a migration of artists from all over America to New York. It was completely wild. And we controlled it ourselves." "I couldn't go back to the abstract drawings; it had to have some connection to the real world."

Ride back in time on the colorful New York City subway line of the 1970s to 1990s; the graffiti years, when subway cars became rolling metal canvases for some of the most notorious and influential graffiti writers of all time. Explore the amazing array of art work from the 1970s, '80s and '90s transit system graveyards, including the work of graffiti artists BLADE, GHOST, SENT, REAS, VEN, WOLF, and STRIDER, as well as many other talented underdogs. The era is richly illustrated with over 235 rare, never-before-published photographs accompanied by personal accounts from the writers talking about their art and recalling their wild antics. This is an informative, nostalgic look at New York subway graffiti.

"This is a piercing journey down to the core of the dark labyrinth of modern life... A dictionary of an absurd and reality in graffiti."

The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with 1980s New York, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world. Basquiat's expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life-so when asked about his subject matter, Basquiat answered "royalty, heroism and the streets." In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time. First published in an XXL edition, this unprecedented insight into Basquiat's art is now available in a compact, accessible volume in celebration of TASCHEN's 40th anniversary. With pristine reproductions of his most seminal paintings, drawings, and notebook sketches, it offers vivid proximity to Basquiat's intricate marks and scribbled words, further illuminated by an introduction to the artist from editor Hans Werner Holzwarth, as well as an essay on his themes and artistic development from curator and art historian Eleanor Nairne. Richly illustrated year-by-year chapter breaks follow the artist's life and quote from his own statements and contemporary reviews to provide both personal background and historical context. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

More than ever education students are required to study the social context of youth culture in order to understand and design meaningful, motivational curiculum. There is a need to bridge the gap between theory and practice and to address the critical issues which confront the education of youth today. In studying hip-hop graffiti, the author explores a crucial but neglected area in the contemporary training of youth workers and educators.

The author interviewed ten hip-hop graffiti writers of various race, class, and gender by audiotape and reviewed them until patterns emerged as themes, mainly issues concerning public space and community. She continued her relationship with the participants over a five-year period to observe the diversity and transformation of individuals within graffiti culture.

The study begins with a literature review from Web resources, books, and subculture magazines on graffiti in order to define The Structure of Traditional Hip-Hop Graffiti Culture. This chapter lays the basic foundation familiar to all writers and points to the main issues in order to analyze how individual writers conform to or deviate from the standard subculture. The author addresses the complex issues which are layered behind a residue of illegally painted signatures, characters, and text. There is a need for the voices of young people to be heard, especially those who have found artistic integrity, and awareness of civic and political issues on their own terms. Youth are in an ongoing struggle to construct personal identities and communities that they want to live in. Hip-hop graffiti is only one example where they have created a space, within a peer-run environment, to respect and encourage their political powers, ideas, and skills. The book asks whether an understanding of how adolescents learn outside of school can generate alternative sites for curriculum theorizing.