Paint your own lowrider just the way you like it Impalas, Cadillacs and Rivieras. In the Lowrider Coloring Book, you will color the classic and most popular Lowrider models. Lowrider culture reaches back to 1930s Los Angeles, where it became popular for style-conscious Latino-Americans to load their cars with sandbags to bring it closer to the road. Style was everything, and when lowered cars were banned in California in the 1950s, it became necessary to find a way to raise and lower the car simply to avoid fines. The solution was to use hydraulics from old fighter planes left over from World War II.The rapper Kid Frost showcased lowriding in the early 90s hit Lowrider, and since then, the cars are closely associated with hip hop culture.Today, lowriding is bigger than ever with thousands of enthusiasts in most parts of the world. All strive to outdo each other with the most elegant varnish, interior, hydraulics, chrome and rims. The custom cars you'll be coloring in the Lowrider Coloring book were converted by some of the best and most legendary enthusiasts.What color is your Impala?

A complex and contradictory graffiti culture has been brewing over the last few decades in one of the least expected settings-China's capital. Through an unparalleled collection of one local photographer's images, as well as interviews with 25 prolific artists, see how Beijing has developed its graffiti movement against the backdrop of the once-secluded nation's rise to global economic might. While Beijing graffiti artists take their cue from the subculture's Western origins, the local scene has also been highly influenced by both foreign visitors and traditional Chinese art and culture. Profiles of significant artists explore the dynamics of creative self-expression in such a perceivedly authoritarian setting, including the surprising amount of freedom they have to make their art undisturbed compared to Western counterparts. A must for graffiti enthusiasts, Sinophiles, and anyone interested in how this colorful subculture is still growing half a century after it emerged.

'A beautiful, deeply affecting and powerful marriage between art and activism' - KHALED HOSSEINI, bestselling author of The Kite Runner 'These are vital conversations. Everyone should eavesdrop on them'- KAMILA SHAMSIE, author of award-winning bestseller Home Fire Conversations From Calais is a global art movement that captures moments between volunteers and refugees in poster form. Pasted on our city walls these posters amplify marginalised voices and bear witness to those who are often ignored. Features essay contributions by Osman Yousefzada, Gulwali Passarlay, Nish Kumar, Joudie Kalla, Waad Al-Kateab, Yasmin Alibhai-Brown, Ai Weiwei and Inua Ellams. 'Showcases what the world so desperately needs more of right now: heart, hope and humanity' - EMMA GANNON, author & podcaster 'These conversations remind us that the only difference between ourselves and anyone else is circumstance' - OLIVE GRAY, actor

Legal or illegal graffiti It's sometimes beautiful, sometimes ugly, but given time it can be breathtaking in it's skill of execution. 'Burn After Reading' is the end result of a unique meeting of styles. When high end professional photography meets cutting edge graffiti. Images from USA, UK, Europe.

For fifty years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where street art and graffiti are situated today. Introducing the concept of 'Intermural Art' - art in between the walls - Rafael Schacter presents a genre at a key moment of transition. While many street and graffiti artists are still challenging the orthodoxies of the public sphere, an increasingly large group are reshaping the field by no longer furtively entering the institution, no longer slavishly reproducing exterior works inside, but instead attempting to merge out and in to create a form that articulates graffiti, street and contemporary-art influences. Through forty profiles of the leading proponents of this new approach from around the globe, Rafael Schacter presents a compelling analysis for 'Intermural Art' while also showcasing some of the boldest work being made currently.

"I've never made my art because I want to make money. I make it because I believe that my paintings . . . can change the world." Meet C215, a master street artist with a mission. C215 is the pseudonym chosen by Christian Gu my ("The French Banksy"), one of the world's most important masters of contemporary street art. He became famous in 2008 when Banksy invited him to collaborate on some projects, and today, even though he has the talent to work for galleries or museums, he continues producing his art on the street. See his amazing creations, and get to know him through a series of interviews conducted by Alessandra Mattanza, an expert in international street art. Known for drawing, painting, spray-painting, and personally photographing his works, C215 himself has in fact taken many of the images shown in this eye-opening volume. These photos enrich this intimate portrait of the artist, presenting his vision and his experience on the street. Readers can grasp the essence of his philosophy, and discover his most important works in the cities of Paris, London, Los Angeles, New York, Rome, Istanbul, New Delhi, and Fez as well as in Brazil, Poland, Israel, and Morocco.

Chicago is home to more intact African American street murals from the 1970s and 1980s than any other U.S. city. Among Chicago's greatest muralists is the legendary William "Bill" Walker (1927-2011), compared by art historians to Diego Rivera. Francis O'Connor, America's foremost mural historian, called Walker the most accomplished contemporary practitioner of the classical mural tradition that runs from Giotto to Rivera. Though his art could not have been more public, Walker maintained a low profile during his working life and virtually withdrew from the public eye after his retirement in 1989. Author Jeff W. Huebner met Walker in 1990 and embarked on a series of insightful interviews in 2008. Those meetings form the basis of Walls of Prophecy and Protest, the story of Walker's remarkable life and the movement that he inspired. Featuring thirty-five color images of Walker's work, this handsome edition reveals the artist who was the primary figure behind Chicago's famed Wall of Respect and who created numerous murals that depicted African American historical figures; protested social injustice; and centered imagination, love, respect, and community accountability.

Andy Warhol and Jean-Michel Basquiat's complex relationship captivated the art world then and now. At a time when Warhol was already world famous and the elder statesman of New York cool, Basquiat was a downtown talent rising rapidly from the graffiti scene. Together, they forged an electrifying personal and professional partnership. As a prolific documentarian of his own world, Warhol extensively photographed and wrote of his friendship with Basquiat, all played against the backdrop of 1980s downtown New York City. It reveals not only the emotional depth of their relationship but also its ambiguities, extremities, and complexities. Produced in collaboration with The Andy Warhol Foundation and Jean-Michel Basquiat's estate, this book chronicles the duo's relationship in hundreds of previously unpublished photographs of Basquiat along with a dynamic cast of characters from Madonna to Grace Jones, Keith Haring to Fela Kuti. The shots are accompanied by entries from the legendary Andy Warhol Diaries, selected collaborative artworks, and extensive ephemera. Touching, intimate, and occasionally sardonic, Warhol on Basquiat is a voyeuristic glimpse into the lives of two of modern art's brightest stars.

Wild Art is an incredibly vivid, colourful and current collection of over 300 extraordinary artworks that are too offbeat, outrageous, kitsch, quirky or funky to 'make it' in the formal art world of galleries and museums. From pimped cars and graffiti to extreme body art, ice sculpture, flash mobs, burlesque acts, portraits made from bottle tops, paintings made by animals, light shows, carnivals and giant artworks that can only truly be appreciated from the air, this book has it all. The works featured here are variously moving, funny or shocking, celebrating the beauty and art in anything and everything. Authors David Carrier and Joachim Pissarro have studied alternative and underground art forms and cultures for years and have compiled the ultimate collection of creative works to challenge and engage every reader's perception of what is and isn't art.

Late 1970s New York City was bankrupt and its streets dirty and dangerous. But thecity had a wild, raw energy that made it the crucible for the birth of rap culture and graffiti. Graffiti writers worked in extremely tough conditions: uncollected garbage, darkness, cramped spaces, and the constant threat of police raids, assault by security staff and attacks by rival crews. It was not unlike practicing performance art in a war zone. Yet during the fertile years of the late 1970s and 1980s they evolved their art from stylized signatures to full-blown Technicolor dreamscapes. Henry Chalfant created panoramic images of painted trains by photographing overlapping shots along the train s length. It took time to earn the writers trust andrespect, but Chalfant became their revered confidant and with Tony Silver went on to produce the classic documentary film Style Wars (1983). Through a series of interviews conducted by Sacha Jenkins, we hear the voices of these characters of old New York. Quite a few of the original writers are no longer with us, but those who have survived have continued to push the envelope as artists and individuals in a new millennium.The stories they tell, included here alongside iconic, raw photographs of their work, will enthrall graffiti fans everywhere."

Characters are the most popular and easily accessible side of graffiti. They are the figures that stand beside the writers name and attract attention to it. They are brought to the fore in Graffiti Coloring Book 2: Characters. The book features themes by the worlds foremost graffiti writers. Well-built b-boys and b-girls with spray cans, boom boxes and attitude, comic figures with cartoon features and realistic portraits. All are waiting to be rendered in glorious color. In graffiti culture, the black-and-white drawing serves both as a model for a graffiti piece and as a work of art in its own right. Similarly, this book is both a toy and an art history document. With characters from world famour graffiti writers like: T-Kid TNB (New York), Tack FBA (New York), Part One TDS (New York), Wane COD (New York), Ezo TDS (New York), Zimad TD4 (New York), Too Fly (New York), Nic 707 OTB (New York), Revolt RTW (New York)

An innovative dialogue between street culture and contemporary art featuring some of the most internationally renowned artists and photographers. Future/Memory is a book about the exhibition with the same name, organized in Dresden, Germany at HELLE- RAU - European Center for the Arts Dresden, during the summer of 2013. Future/Memory shows the nature of the work of artists like Boogie, Martha Cooper, Cody Hudson and Horfee - artists that all stems from, and get their inspiration from street culture and urban environment. Wasted objects in the street are turned into sculptures; images of children playing in the Bronx are transformed into timeless testimonies of the 1980s. Graffiti is convert- ed into abstract and conceptual art, and a blank wooden wall becomes a contemporary vision of an archaic altar. Future/Memory condenses images of the past and the future taken from human urban surroundings and enlightens the importance of the artistic dialogues, their gestures and energy of street life. The artists featured in Future/Memory are Boogie, Martha Cooper, Horfee, Cody Hudson, HuskMitNavn, Cleon Peterson, Jay "One" Ramier, Skki and SuperBlast."

'You capture so much in one frozen moment of time, and the fact that this tiny moment will now last forever makes it so much more profound...' Immortalised through the BBC's 'Peaky Blinders', and now in the throes of HS2 development, Birmingham's up and coming creative quarter is in the spotlight as Nigel Parker documents the unique people and places of Digbeth.

Dirtypilot.com Year 1 Rewind presents the work of 15 of the artists that Dirtypilot.com has showcased in its monthly online exhibitions during its inaugural year, beginning in May 2007. These works embrace a range of movements from graffiti, street and urban art to pop and and outsider art. Rendered in mediums, from spray paint, oil, acrylic, water color and mixed media, to simple pen and ink, graphic, silkscreen and other transfer methods. Featured artists include up and coming talents along with established artists, such as Chris "Daze" Ellis, Kime Buzzelli, Bravo Jet, Albert Reyes, Papermonster, Chris Stain, Ghost, Ewok 5MH, Cern YMI, Dennis McNett, Greg Gossel, Stephen Tompkins, Enrique Martinez, Justin Bua, Michael Krueger and Daniel Johnston. Both a contemporary representation of the most riveting urban art of our time and a frozen slice of art history that hundreds of thousands of urban art collectors and aficionados who frequent DirtyPilot.com can enjoy today and tomorrow. This diverse body of artwork also stands as an enlightening sampling for collectors and art students unfamiliar with urban motifs. A sturdy, hardcover compellation of shows, Dirtypilot.com Year 1 Rewind dedicates from two to six pages of illustrations of each showcased artist as well as the dates the artists showed their work on Dirtypilot.com. It also delivers biographical sketches on each contributor. The book's introduction by Dirtypilot.com founder Alan Bortman offers insightful background information on the origin and focal point of the Dirtypilot site. If you're passionate about urban art and urban artists and want to learn more, Dirtypilot.com Year 1 Rewind is a visual treasure trove for collectors thatyou won't want to be without.

In the 1960s and early 1970s, young people in New York City radically altered the tradition of writing their initials on neighborhood walls. Influenced by the widespread use of famous names on billboards, in neon, in magazines, newspapers, and typographies from advertising and comics, city youth created a new form of expression built around elaborately designed names and initials displayed on public walls, vehicles, and subways. Critics called it "graffiti," but to the practitioners it was "writing."

"Taking the Train" traces the history of "writing" in New York City against the backdrop of the struggle that developed between the city and the writers. Austin tracks the ways in which "writing" -- a small, seemingly insignificant act of youthful rebellion -- assumed crisis-level importance inside the bureaucracy and the public relations of New York City mayoral administrations and the Metropolitan Transportation Authority for almost two decades. "Taking the Train" reveals why a global city short on funds made "wiping out graffiti" an expensive priority while other needs went unfunded. Although the city eventually took back the trains, Austin eloquently shows how and why the culture of "writing" survived to become an international art movement and a vital part of hip-hop culture.

Leon Keer is the master of optical illusion. The 'Dutch JR' plays with perspectives and creates a whole new world. One in which Snow White is stuck under a door. Or a world in which you unexpectedly enter a seventies living room. This is his first monograph. He allows the reader an exclusive look into his world and imagination. How does he work? And how does a wild idea develop into a gigantic 3D artwork?