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Books > Arts & Architecture > Art forms, treatments & subjects > Other graphic art forms > Graffiti
The first book to focus exclusively on women as subjects in street
art, this study, part travelogue and part dialogue, examines these
depictions of women artistically, politically, and culturally
across continents. Interviews with artists peel back the layers
between artist and image, revealing stories about their work, its
context, and its environment. From artists in LA pushing back on
Hollywood's shiny perfection; to painters in Costa Rica examining
the cultural links of women, myth, and nature; to women in South
Africa decrying domestic violence, what links these works are their
temporality and public ownership. Why do wall artists choose women
as their frequent and favourite subjects? What does it say about
our conceptions of gender and rebellion, protest, pride, place, and
community? And how does the growing commercialisation of street art
affect their portrayal? Colour photos and guided historical context
provoke these questions and inspire further ones.
Having forged his graphic style painting subways in New York in the
late 1970s, Futura was among the first graffiti artists to be shown
in contemporary galleries in the early 1980s, where his paintings
shared space with works by Keith Haring, Jean-Michel Basquiat, and
Kenny Scharf. As the commercialization of street culture in the
1990s inspired collaborations with fashion and lifestyle brands,
Futura s work moved toward a more refined expression of his
abstract graffiti style. Commissions from era-defining brands such
as A Bathing Ape, Stussy, Supreme, and Mo Wax saw his artwork
canonized as an elemental component of the street aesthetic.
Collected here, among never-before-published reproductions of
earlier paintings and drawings, is an archive of personal
photography and ephemera that reveals how integral Futura has been
to the evolution of street art and culture. Guided through more
than forty years of work, and with interviews with key players in
Futura s career, this is at once a definitive monograph of a legend
of contemporary art and an indispensable chapter in the history of
graffiti.
In this collection of photographs taken in over 36 countries,
Christer Loefgren explores the international art of graffiti and
wall paintings. From his base in Stockholm, Sweden, Loefgren
travels to places where street art can be found, including places
like the Antarctic, Greenland, and Svalbard, where you may not
expect to see it. The book addresses the current duality of opinion
about street art: it is still viewed as a criminal act in many
places, and yet at the same time it is accepted as a valid and
important art form. It crosses boundaries to unite communities all
around the world. Organised in two sections, the first section of
this book explores the methods and motivations behind the work,
while the second section focuses on street art in specific
countries around the world.
Andy Warhol and Jean-Michel Basquiat's complex relationship
captivated the art world then and now. At a time when Warhol was
already world famous and the elder statesman of New York cool,
Basquiat was a downtown talent rising rapidly from the graffiti
scene. Together, they forged an electrifying personal and
professional partnership. As a prolific documentarian of his own
world, Warhol extensively photographed and wrote of his friendship
with Basquiat, all played against the backdrop of 1980s downtown
New York City. It reveals not only the emotional depth of their
relationship but also its ambiguities, extremities, and
complexities. Produced in collaboration with The Andy Warhol
Foundation and Jean-Michel Basquiat's estate, this book chronicles
the duo's relationship in hundreds of previously unpublished
photographs of Basquiat along with a dynamic cast of characters
from Madonna to Grace Jones, Keith Haring to Fela Kuti. The shots
are accompanied by entries from the legendary Andy Warhol Diaries,
selected collaborative artworks, and extensive ephemera. Touching,
intimate, and occasionally sardonic, Warhol on Basquiat is a
voyeuristic glimpse into the lives of two of modern art's brightest
stars.
A complex and contradictory graffiti culture has been brewing over
the last few decades in one of the least expected settings-China's
capital. Through an unparalleled collection of one local
photographer's images, as well as interviews with 25 prolific
artists, see how Beijing has developed its graffiti movement
against the backdrop of the once-secluded nation's rise to global
economic might. While Beijing graffiti artists take their cue from
the subculture's Western origins, the local scene has also been
highly influenced by both foreign visitors and traditional Chinese
art and culture. Profiles of significant artists explore the
dynamics of creative self-expression in such a perceivedly
authoritarian setting, including the surprising amount of freedom
they have to make their art undisturbed compared to Western
counterparts. A must for graffiti enthusiasts, Sinophiles, and
anyone interested in how this colorful subculture is still growing
half a century after it emerged.
Legal or illegal graffiti It's sometimes beautiful, sometimes ugly,
but given time it can be breathtaking in it's skill of execution.
'Burn After Reading' is the end result of a unique meeting of
styles. When high end professional photography meets cutting edge
graffiti. Images from USA, UK, Europe.
"I've never made my art because I want to make money. I make it
because I believe that my paintings . . . can change the world."
Meet C215, a master street artist with a mission. C215 is the
pseudonym chosen by Christian Gu my ("The French Banksy"), one of
the world's most important masters of contemporary street art. He
became famous in 2008 when Banksy invited him to collaborate on
some projects, and today, even though he has the talent to work for
galleries or museums, he continues producing his art on the street.
See his amazing creations, and get to know him through a series of
interviews conducted by Alessandra Mattanza, an expert in
international street art. Known for drawing, painting,
spray-painting, and personally photographing his works, C215
himself has in fact taken many of the images shown in this
eye-opening volume. These photos enrich this intimate portrait of
the artist, presenting his vision and his experience on the street.
Readers can grasp the essence of his philosophy, and discover his
most important works in the cities of Paris, London, Los Angeles,
New York, Rome, Istanbul, New Delhi, and Fez as well as in Brazil,
Poland, Israel, and Morocco.
For fifty years, graffiti and street art have been challenging
conventions and stimulating debate around our perceptions of what
constitutes art. As the genre enters its sixth decade, this
ground-breaking book presents a new interpretation of where street
art and graffiti are situated today. Introducing the concept of
'Intermural Art' - art in between the walls - Rafael Schacter
presents a genre at a key moment of transition. While many street
and graffiti artists are still challenging the orthodoxies of the
public sphere, an increasingly large group are reshaping the field
by no longer furtively entering the institution, no longer
slavishly reproducing exterior works inside, but instead attempting
to merge out and in to create a form that articulates graffiti,
street and contemporary-art influences. Through forty profiles of
the leading proponents of this new approach from around the globe,
Rafael Schacter presents a compelling analysis for 'Intermural Art'
while also showcasing some of the boldest work being made
currently.
Chicago is home to more intact African American street murals from
the 1970s and 1980s than any other U.S. city. Among Chicago's
greatest muralists is the legendary William "Bill" Walker
(1927-2011), compared by art historians to Diego Rivera. Francis
O'Connor, America's foremost mural historian, called Walker the
most accomplished contemporary practitioner of the classical mural
tradition that runs from Giotto to Rivera. Though his art could not
have been more public, Walker maintained a low profile during his
working life and virtually withdrew from the public eye after his
retirement in 1989. Author Jeff W. Huebner met Walker in 1990 and
embarked on a series of insightful interviews in 2008. Those
meetings form the basis of Walls of Prophecy and Protest, the story
of Walker's remarkable life and the movement that he inspired.
Featuring thirty-five color images of Walker's work, this handsome
edition reveals the artist who was the primary figure behind
Chicago's famed Wall of Respect and who created numerous murals
that depicted African American historical figures; protested social
injustice; and centered imagination, love, respect, and community
accountability.
The soldiers of the First World War left a little-known legacy in
forgotten caves along the Western Front: thousands of inscriptions
and wall carvings that tell stories of courage, pride, hope and
fear. Limestone quarries and bunkers along the front lines in
north-eastern France, where the men sheltered, have been
rediscovered by archaeologists in recent years. Thousands of
British and Commonwealth soldiers pencilled their name, rank and
serial number and even their home addresses onto the walls in the
agonising awareness that this might be their last trace. In the
relative safety of crowded tunnels, they wrote poems and displayed
astonishing artistry in the portraits and sculptures they carved
into the rough rock. Whispering Walls takes the reader into the
gloom of these timewarp locations under the Western Front where the
graffiti, in many cases as clear as if it had been written
yesterday, rings out with the question: will I survive? The book
tracks the fates of individual soldiers and presents some of the
most striking inscriptions in over 100 photographs. Now that the
last survivors have gone, the writings provide fresh insight into
their mindset and are helping researchers to trace the missing,
over a century after the guns fell silent.
Wild Art is an incredibly vivid, colourful and current collection
of over 300 extraordinary artworks that are too offbeat,
outrageous, kitsch, quirky or funky to 'make it' in the formal art
world of galleries and museums. From pimped cars and graffiti to
extreme body art, ice sculpture, flash mobs, burlesque acts,
portraits made from bottle tops, paintings made by animals, light
shows, carnivals and giant artworks that can only truly be
appreciated from the air, this book has it all. The works featured
here are variously moving, funny or shocking, celebrating the
beauty and art in anything and everything. Authors David Carrier
and Joachim Pissarro have studied alternative and underground art
forms and cultures for years and have compiled the ultimate
collection of creative works to challenge and engage every reader's
perception of what is and isn't art.
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Street Messages
(Hardcover)
Nicholas Ganz; Foreword by James Prigoff
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R586
R307
Discovery Miles 3 070
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The G-word
(Paperback)
Jacob Kimvall
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R845
R721
Discovery Miles 7 210
Save R124 (15%)
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An innovative dialogue between street culture and contemporary art
featuring some of the most internationally renowned artists and
photographers. Future/Memory is a book about the exhibition with
the same name, organized in Dresden, Germany at HELLE- RAU -
European Center for the Arts Dresden, during the summer of 2013.
Future/Memory shows the nature of the work of artists like Boogie,
Martha Cooper, Cody Hudson and Horfee - artists that all stems
from, and get their inspiration from street culture and urban
environment. Wasted objects in the street are turned into
sculptures; images of children playing in the Bronx are transformed
into timeless testimonies of the 1980s. Graffiti is convert- ed
into abstract and conceptual art, and a blank wooden wall becomes a
contemporary vision of an archaic altar. Future/Memory condenses
images of the past and the future taken from human urban
surroundings and enlightens the importance of the artistic
dialogues, their gestures and energy of street life. The artists
featured in Future/Memory are Boogie, Martha Cooper, Horfee, Cody
Hudson, HuskMitNavn, Cleon Peterson, Jay "One" Ramier, Skki and
SuperBlast."
Leon Keer is the master of optical illusion. The 'Dutch JR' plays
with perspectives and creates a whole new world. One in which Snow
White is stuck under a door. Or a world in which you unexpectedly
enter a seventies living room. This is his first monograph. He
allows the reader an exclusive look into his world and imagination.
How does he work? And how does a wild idea develop into a gigantic
3D artwork?
Late 1970s New York City was bankrupt and its streets dirty and
dangerous. But thecity had a wild, raw energy that made it the
crucible for the birth of rap culture and graffiti. Graffiti
writers worked in extremely tough conditions: uncollected garbage,
darkness, cramped spaces, and the constant threat of police raids,
assault by security staff and attacks by rival crews. It was not
unlike practicing performance art in a war zone. Yet during the
fertile years of the late 1970s and 1980s they evolved their art
from stylized signatures to full-blown Technicolor dreamscapes.
Henry Chalfant created panoramic images of painted trains by
photographing overlapping shots along the train s length. It took
time to earn the writers trust andrespect, but Chalfant became
their revered confidant and with Tony Silver went on to produce the
classic documentary film Style Wars (1983). Through a series of
interviews conducted by Sacha Jenkins, we hear the voices of these
characters of old New York. Quite a few of the original writers are
no longer with us, but those who have survived have continued to
push the envelope as artists and individuals in a new
millennium.The stories they tell, included here alongside iconic,
raw photographs of their work, will enthrall graffiti fans
everywhere."
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Digbeth
(Hardcover)
Nigel Parker
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R560
R507
Discovery Miles 5 070
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'You capture so much in one frozen moment of time, and the fact
that this tiny moment will now last forever makes it so much more
profound...' Immortalised through the BBC's 'Peaky Blinders', and
now in the throes of HS2 development, Birmingham's up and coming
creative quarter is in the spotlight as Nigel Parker documents the
unique people and places of Digbeth.
Dirtypilot.com Year 1 Rewind presents the work of 15 of the artists
that Dirtypilot.com has showcased in its monthly online exhibitions
during its inaugural year, beginning in May 2007. These works
embrace a range of movements from graffiti, street and urban art to
pop and and outsider art. Rendered in mediums, from spray paint,
oil, acrylic, water color and mixed media, to simple pen and ink,
graphic, silkscreen and other transfer methods. Featured artists
include up and coming talents along with established artists, such
as Chris "Daze" Ellis, Kime Buzzelli, Bravo Jet, Albert Reyes,
Papermonster, Chris Stain, Ghost, Ewok 5MH, Cern YMI, Dennis
McNett, Greg Gossel, Stephen Tompkins, Enrique Martinez, Justin
Bua, Michael Krueger and Daniel Johnston. Both a contemporary
representation of the most riveting urban art of our time and a
frozen slice of art history that hundreds of thousands of urban art
collectors and aficionados who frequent DirtyPilot.com can enjoy
today and tomorrow. This diverse body of artwork also stands as an
enlightening sampling for collectors and art students unfamiliar
with urban motifs. A sturdy, hardcover compellation of shows,
Dirtypilot.com Year 1 Rewind dedicates from two to six pages of
illustrations of each showcased artist as well as the dates the
artists showed their work on Dirtypilot.com. It also delivers
biographical sketches on each contributor. The book's introduction
by Dirtypilot.com founder Alan Bortman offers insightful background
information on the origin and focal point of the Dirtypilot site.
If you're passionate about urban art and urban artists and want to
learn more, Dirtypilot.com Year 1 Rewind is a visual treasure trove
for collectors thatyou won't want to be without.
'A beautiful, deeply affecting and powerful marriage between art
and activism' - KHALED HOSSEINI, bestselling author of The Kite
Runner 'These are vital conversations. Everyone should eavesdrop on
them'- KAMILA SHAMSIE, author of award-winning bestseller Home Fire
Conversations From Calais is a global art movement that captures
moments between volunteers and refugees in poster form. Pasted on
our city walls these posters amplify marginalised voices and bear
witness to those who are often ignored. Features essay
contributions by Osman Yousefzada, Gulwali Passarlay, Nish Kumar,
Joudie Kalla, Waad Al-Kateab, Yasmin Alibhai-Brown, Ai Weiwei and
Inua Ellams. 'Showcases what the world so desperately needs more of
right now: heart, hope and humanity' - EMMA GANNON, author &
podcaster 'These conversations remind us that the only difference
between ourselves and anyone else is circumstance' - OLIVE GRAY,
actor
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