A unique portrait of nineteenth-century Italy as seen through the
eyes of the first generation of British photographers This book
examines the ways in which the new medium of photography influenced
the British experience, appreciation, and perception of Italy in
the nineteenth century. Setting photography within a long history
of image making-beginning with the eighteenth-century Grand Tour
and transformed by the inventions of William Henry Fox Talbot and
Louis Daguerre-this beautifully illustrated book features many
previously unpublished images alongside the work of well-known
photographers. The sixteen essays in this volume explore
photography as a vehicle for visual translation and cultural
exchange. Distributed for the Yale Center for British Art
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