- Introduces a system of text analysis that synthesizes physical,
psychological, and vocal components in order to truthfully embody
heightened texts and contexts. - Takes a primarily ensemble-based
physical practice and re-purposing it to give the solo
practitioner, or an actor preparing a role in an ensemble without a
shared 'vocabulary' a means to use a physically based process on
their own. - The work is suitable for individual practice, either
for creating original work, or for preparing a role while working
with a cast that does not have a shared vocabulary or
physical/vocal practice.
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