This book explores entanglements of power relations and forces of
desire in life narratives and visual images. The analysis draws on
paintings and archival auto/biographical writings of six
fin-de-siecle women artists, who are brought together as narrative
personae in a genealogical exploration of the constitution of the
female self in art. The author offers an innovative theoretical
approach to narrative research by bringing together feminist
theories with Foucauldian and DeleuzoGuattarian analytics. The book
will be of particular interest for researchers and graduate
students in the fields of feminist, narrative and visual studies.
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