A main justification for public funding of the arts is to
protect the arts from the marketplace and to encourage
experimentation and innovation. But little is known about the
actual innovation process. Is funding the only issue? Protecting
the arts from the marketplace has up to now been the main item in
any discussion of artistic creativity. This publication of
Fitzgibbons carefully researched investigation provides a
privileged insight which both fills out and refocuses the picture.
She examines the operation of three performing arts companies from
Ireland, a country whose reputation for creativity bears little
relation to its small size and population, and finds that
innovation in the arts requires uncommon dedication, persistence
and-yes-sacrifice, qualities that have been blurred by the
'mythology' of what makes for artistic innovation. She studies the
social and organizational context of most arts work today, with
emphasis on the effort that goes into the achievement of
innovation, and comes away with a new vocabulary and grammar for
managing it.
Innovation in the arts is an arduous, stressful process, as it
is in all areas of high achievement, but the perception most people
have of it is misinformed, says Fitzgibbon. Creativity management
is confused with what is commonly known as creative management. She
shows it is possible to identify a number of factors that bear
heavily on innovation in arts organizations. So far the first study
of the management of arts innovation specifically, Fitzgibbon's
work offers a privileged and pragmatic insight into the workings of
highly innovative arts organizations. The result is a graphic
analysis that strips innovation down to its essentials and begins
to answer vital questions. This work is essential reading for arts
policy makers, managers, administrators and those who would be
donors, and for serious students of arts and culture management in
the academic community.
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