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Lives of the Sonnet, 1787-1895 - Genre, Gender and Criticism (Hardcover, New Ed)
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Lives of the Sonnet, 1787-1895 - Genre, Gender and Criticism (Hardcover, New Ed)
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In a series of representative case studies, Marianne Van Remoortel
traces the development of the sonnet during intense moments of
change and stability, continuity and conflict, from the early
Romantic period to the end of the nineteenth century. Paying
particular attention to the role of the popular press, which served
as a venue of innovation and as a site of recruitment for aspiring
authors, Van Remoortel redefines the scope of the genre, including
the ways in which its development is intricately related to issues
of gender. Among her subjects are the Della Cruscans and their
primary critic William Gifford, the young Samuel Taylor Coleridge
and his circle, Elizabeth Barrett Browning's Sonnets from the
Portuguese, George Meredith's Modern Love, Dante Gabriel Rossetti's
House of Life and Augusta Webster's Mother and Daughter. As women
became a force to be reckoned with among the reading public and the
writing community, the term 'sonnet' often operated as a satirical
label that was not restricted to poetry adhering to the strict
formalities of the genre. Van Remoortel's study, in its
attentiveness to the sonnet's feminization during the late
eighteenth century, offers important insights into the ways in
which changing attitudes about gender and genre shaped critics'
interpretations of the reception histories of nineteenth-century
sonnet sequences.
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