The pursuit of collective happiness was considered a utopian
ideal that structured many aspects of Soviet culture, a fact
recognized by numerous scholars in various disciplines ranging from
cultural and literary studies to sociology and political science.
Several groundbreaking studies in the literary and cultural history
of the former Soviet Union have changed our understanding of the
Soviet past. However, none of these studies has paid attention to
an important theme in the cultural history of Soviet society--the
pursuit of happiness. Although specialists in Soviet culture
repeatedly invoke various manifestations of happiness in works of
literature and film in their research, it has yet to be
investigated as the subject of a full-fledged independent
study.
"
Petrified Utopia" redresses this inexplicable omission. This
collection of essays introduces the Western reader to the most
representative ideas of happiness, and the common practices of its
pursuit that shaped Soviet everyday life and cultural discourse
from the early post-revolutionary years to the later period of
Stalinist and post-Stalinist culture. The collection presents
different manifestations of happiness in literature and visual
culture--from children's literature to the official and high
literary cannon, from architecture to fine arts, from postcards to
cookbooks, and from the culture of consumerism to product-paradise
in Soviet posters. "Petrified Utopia" features articles by the
leading specialists in the study of Soviet culture from the UK, the
US, Germany and Italy, and addresses the perplexing lack of
scholarship on this important issue.
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