This book illuminates and explores the representation of women in
Soviet cinema from the late 1950s, through the 1960s, and into the
1970s, a period when Soviet culture shifted away, to varying
degrees, from the well-established conventions of socialist
realism. Covering films about working class women, rural and urban
women, and women from the intelligentsia, it probes various
cinematic genres and approaches to film aesthetics, while it also
highlights how Soviet cinema depicted the ambiguity of emerging
gender roles, pressing social issues, and evolving relationships
between men and women. It thereby casts a penetrating light on
society and culture in this crucial period of the Soviet Union's
development.
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