Taking as its starting point four contemporary visual artists
whose work utilizes the conventions of museum display and
collecting practices, "Memory Fragments" examines how these artists
have reconfigured dominant representations of Australian history
and identity, including viewpoints often marginalized by gender and
race. Echoing Walter Benjamin's reflections on history and time,
this interdisciplinary volume will be of interest to scholars
working in the arts as well as modern and postmodern cultural
studies.
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