These essays share as their theme the reconsideration of the role
of historical and cultural change in the evolution of 20th-century
poetry and poetics. Perloff first looks at broad theoretical
concerns - the evolution and contradictions of the term
""postmodernism""; the vexed relation of modernism to the
primitivism ostensible inherent in it; the large-scale
transformation of free verse; and the reception of poetry and
poetics in the contemporary press and its cyberspace future. From
this theoretical framework she then addresses individual cases -
the difficult poetic language of Mina Loy; the relation of poetry
and politics as exhibited by Denise Levertov and Robert Duncan; the
mimetic nature of photography as understood by Roland Barthes and
Christian Boltanski; the special accomplishments of John Cag's
""Mesostic"" art.
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