Much has been written about Graham Greene's relationship to his
Catholic faith and its privileged place within his texts. His early
books are usually described as "Catholic Novels" - understood as a
genre that not only uses Catholic belief to frame the issues of
modernity, but also offers Catholicism's vision and doctrine as a
remedy to the present crisis in Western civilization. Greene's
later work, by contrast, is generally regarded as falling into
political and detective genres. In this book, Mark Bosco argues
that this is a false dichotomy created by a narrowly prescriptive
understanding of the Catholic genre and obscures the impact of
Greene's developing religious imagination on his literary art.
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