Cinema has undergone huge changes in the last decade: Asian
filmmaking has been making the running; the ne'er do well genre,
documentary, has broken through; digitalization and DVD has revived
film history and is revolutionizing projection; world cinema has
shifted in the direction of the real and the visually grainy; and
animation has become more dominant that any time since Disney.
Month by month, in the acclaimed journal "Prospect ," critic and
filmmaker Mark Cousins has charted and contextualized these
changes. Writing from Britain, Europe, Iran, India and Mexico, he
has looked at the social trends and aesthetic implications of
modern cinema's shifting sands. "Widescreen: Watching. Real.
People. Elsewhere" is the result; a skeptical, passionate,
eye-witness account of film today, argued originally and written
with panache.
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