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Coherence in New Music: Experience, Aesthetics, Analysis (Paperback)
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Coherence in New Music: Experience, Aesthetics, Analysis (Paperback)
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What does it mean to talk about musical coherence at the end of a
century characterised by fragmentation and discontinuity? How can
the diverse influences which stand behind the works of many late
twentieth-century composers be reconciled with the singular
immediacy of the experiences that they can create? How might an
awareness of the distinctive ways in which these experiences are
generated and controlled affect the way we listen to, reflect upon
and write about this music? Mark Hutchinson outlines a novel
concept of coherence within Western art music from the 1980s to the
turn of the millennium as a means of understanding the work of a
number of contemporary composers, including Thomas Ades, Kaija
Saariaho, Toru Takemitsu and Gyoergy Kurtag, whose music cannot be
fitted easily into a particular compositional school or analytical
framework. Coherence is understood as a multi-layered phenomenon
experienced, above all, in the act of listening, but reliant upon a
variety of other aspects of musical experience, including
compositional statements, analysis, and connections of aesthetic,
as well as listeners' own, imaginative conceptualisations.
Accordingly, the approach taken here is similarly multi-faceted:
close analytical readings of a number of specific works are
combined with insights drawn from philosophy and aesthetics, music
perception, and critical theory, with a particular openness to
novel metaphorical presentations of basic musical ideas about form,
language and time.
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