If blockbusters make money no matter how bad they are, then why not
make a good one for a change? How can 3-D be the future of cinema
when it's been giving audiences a headache for over a hundred
years? Why pay to watch films in cinemas that don't have a
projectionist but do have a fast-food stand? And, in a world where
Sex and the City 2 was a hit, what are film critics even for?
Outspoken, opinionated and hilariously funny, The Good, The Bad and
The Multiplex is a must for anyone who has ever sat in an
undermanned, overpriced cinema and wondered: 'How the hell did
things get to be this terrible?'
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