"Bound to Bond: Gender, Genre, and the Hollywood Romantic
Comedy" looks at gender roles in a unique way--by examining what
the last thirty years of romantic comedy films have argued,
reflected, and implied. Mark Rubinfeld contends that, essentially,
we are what we see, and by identifying four basic plots of the
genre, representing four basic love stories, he studies the
implications of filmic depictions of male/female relationships.
Cultural changes that have transformed our society since 1970 are
seen here as we see them on the silver screen, and the author
analyzes notable examples of the genre with a rigorous sociological
perspective.
What he reveals may be surprising: during the seventies and, to
an extent, the early eighties, the plot conventions of Hollywood
romantic comedy seemed to challenge, rather than reinforce,
existing gender stereotypes. Later, however--during what should
have been a more enlightened time--the genre reversed course,
reverting to more traditional types for men and women alike.
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