A drifter with no name and no past, driven purely by desire, is
convinced by a beautiful woman to murder her husband. A
hard-drinking detective down on his luck becomes involved with a
gang of criminals in pursuit of a priceless artifact. The stories
are at once romantic, pessimistic, filled with anxiety and a sense
of alienation, and they define the essence of film noir. Noir
emerged as a prominent American film genre in the early 1940s,
distinguishable by its use of unusual lighting, sinister plots,
mysterious characters, and dark themes. From The Maltese Falcon
(1941) to Touch of Evil (1958), films from this classic period
reflect an atmosphere of corruption and social decay that attracted
such accomplished directors as John Huston, Alfred Hitchcock, Billy
Wilder, and Orson Welles. The Philosophy of Film Noir is the first
volume to focus exclusively on the philosophical underpinnings of
these iconic films. Drawing on the work of diverse thinkers, from
the French existentialist Albert Camus to the Frankurt school
theorists Max Horkheimer and Theodor Adorno, the volume connects
film noir to the philosophical questions of a modern, often
nihilistic, world. Opening with an examination of what constitutes
noir cinema, the book interprets the philosophical elements
consistently present in the films -- themes such as moral
ambiguity, reason versus passion, and pessimism. The contributors
to the volume also argue that the essence and elements of noir have
fundamentally influenced movies outside of the traditional noir
period. Neo-noir films such as Pulp Fiction (1994), Fight Club
(1999), and Memento (2000) have reintroduced the genre to a
contemporary audience. As they assess the concepts present in
individual films, the contributors also illuminate and explore the
philosophical themes that surface in popular culture. A close
examination of one of the most significant artistic movements of
the twentieth century, The Philosophy of Film Noir reinvigorates an
intellectual discussion at the intersection of popular culture and
philosophy.
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