Game of Thrones was an international sensation, and has been looked
at from many different angles. But to date there has been little
research into its audiences: who they were, how they engaged with
and responded to it. This book presents the findings of a major
international research project that garnered more than 10,000
responses to an innovative 'qualiquantitative' questionnaire. Among
its findings are: a new way of understanding the place and role of
favourite characters in audiences’ responses; new insights into
the role of fantasy in encouraging thinking about our own world;
and an account of two combined emotions – relish and anguish –
which structure audiences’ reactions to controversial elements in
the series. -- .
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