This collection of essays is aimed at students who are working on
"The Merchant of Venice" and who are looking for new ways of
thinking about the play and new ways of thinking about their own
practice as critics. The collection offers a spectrum of the more
recent writings on the play, that open up its historical, cultural
and political significance and serve to demonstrate some of the
ways in which contemporary criticism is not only based upon
critical theory but is also about the practice of criticism.
General
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