There are about ten books in the world on stage performance
training. Most of them are in English, but there are a few in
Spanish. There are none in Russian, although the father of modern
theater, Konstantin Stanislavski, was born in Russia. In singing,
regardless of genre and style, the element of stage performance is
missing. There is no normal training for communicating with the
audience. It is accepted by most vocal pedagogues that it is enough
to sing the notes correctly, but there is much more to do. For
singers who study opera and operetta, it is essential to stretch
the limits of performance, and that is why they also study acting.
For everyone else, this is not necessary, because they have other
tasks on stage. They must learn to self-regulate, not to wait for
directional instructions. This book is valuable in that it teaches
singers to direct their own stage performance. Representing the
author's conclusions based on careful analysis of a number of
successful and unsuccessful stage performances of numerous singers
of different stature, it gives them the basic knowledge and
guidance on how to approach and develop their show from one song to
one concert. It teaches singers how to be more successful on stage,
how to be more charismatic and how to manage their audience the way
they want.
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