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Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics (Hardcover, 1st ed. 2020)
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Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics (Hardcover, 1st ed. 2020)
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This book examines the contribution of mass-produced original
painting to the psychology of art, psychological aesthetics, and
art criticism. Mass-produced paintings are an inexpensive,
accessible, ubiquitous, and hand-painted popular art by anonymous
artists or teams. Sold in an array of outlets, ranging from flea
markets to shopping centers to cruise ships, they decorate hotels,
offices, and homes. Addressed is their neglect in current
scholarship in favor of a nearly exclusive investigation of the
high arts and their audiences, as represented by museum paintings.
Lindauer contextualizes his analysis by tracing the historical
origins of this type of painting, popular art in general, and their
evolutionary trajectory, exploring issues including: the impact of
art and artists' creativity on viewers; the overemphasis on
originality and name recognition; what is art and who can be called
an artist; and the extension of aesthetics to include an everyday
kind. The book concludes with directions for future research in the
popular and traditional arts, the psychology of art, and, more
broadly, the ties that transcend barriers between science, the
arts, and the humanities. It will appeal to students and scholars
from across the fields of psychology, sociology, philosophy, art
history, and cultural, media and communication studies.
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