Are indeterminancy and relativism the only possible consequences
of embracing the uncertainties of the postmodern era? Are other
less deconstructive options to be found emmbedded in
postmodernisM's many ambiguities? In arguing affirmatively to both
questions, this study points--in a constructively postmodern
way--toward renewal in literary and cultural theory.
Divided into two parts, this book first examines the two
distinct sources--constructive and deconstructive--of the
postmodern attitude. The first, exemplified in the work of Derrida,
Lyotard, and Baudrillard, is presented as a reaction against the
reductive excesses of 20th-century modernism and is characterized
by ambivalent and indeterminate approaches to uncertainty. The
second source is more subtly discerned in the rejection by
Wittgenstein and Dewey, among others of the Cartesian or modern
conception of rationality in favor of more situationally complex,
naturalistically grounded accounts of experience. Although the two
approaches overlap in their acceptance of uncertainty and
complexity, constructive postmodernism is shown to offer more scope
for productive and cumulative study of meaning and value.
The second part applies the principles embedded in constructive
postmodern thinking to the field of literary theory and criticism.
The constructively postmodern pursuit of ever more richly observed
and detailed, more ordinary and transparent situations is shown to
be of particular relevance to literary studies. What precisely does
the achievement of a writer like Jane Austen or Henry James
represent, if not pointedly detailed observations of densely
complex social and interpersonal relations, mediated by a painfully
acute and sophisticated sensibility, and imaginatively represented
as works of fiction? The answer to this question is presented by
exploring the concepts of social and emotional intelligence in the
novels of Austen and James among four other novelists.
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