This book is an account of art works made between 1997-2002 that
investigated convergences of recorded sound and physical
materiality. These activities fused autobiography with wider
historical perspectives in an openly interpretive engagement with
the symbolism of heritage sites. In addition, I have drawn upon
sources such as radio broadcasts together with the digital
acoustics of video game parlours to reposition notions of
simulation, facsimile and electronic information as so much virtual
weight. The projects were formulated as site-specific installations
following diverse lines of enquiry, which included an examination
of the acoustics of geographical space; travel throughout India and
Japan to study sonic relations within architectural forms, and
recording at other global locations in furtherance of a project
concerned with the enigma of silent spaces.
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