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Literati and Self-Re/Presentation - Autobiographical Sensibility in the Eighteenth-Century Chinese Novel (Hardcover)
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Literati and Self-Re/Presentation - Autobiographical Sensibility in the Eighteenth-Century Chinese Novel (Hardcover)
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This study of the Chinese novel in the eighteenth century, arguably
one of the greatest periods of the genre, focuses on the
autobiographical features of three important works: The Dream of
the Red Chamber, or The Story of the Stone (Honglou meng), The
Scholars (Rulin waishi), and the relatively neglected The Humble
Words of an Old Rustic (Yesou puyan).
The author seeks for answers to the question of why the Chinese
novel was becoming increasingly autobiographical during the
eighteenth century, even as explicitly autobiographical writing was
in a decline. He suggests that several new trends in the
development of the genre (such as the accelerated "literatization"
process) and the changing status of literati contributed to the
rise of this new feature of the novel. As office-holding became
increasingly unavailable to many literati, new roles and new
identities that allowed them to retain a claim to membership in the
elite had to be found. The novel, with its ability to distance an
author from himself, facilitated the exploration of alternative
roles and identities.
Through close readings of the three texts, the author examines
various autobiographical strategies employed by the authors, among
which "masking as other"--How the authorial self is re/presented as
an other - stands out as the most significant. The book links the
authors' obsession with masks both to an increasingly ambiguous
sense of self-identity experienced by many literati and to the
larger issue of literati self-representation. Throughout, the
readings do not confine themselves to purely literary matters; they
also analyze the three works as a complex artifact typical of
literati "self" culture and situate them in the larger intellectual
history of the period.
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