Traditional criticism on German post-war cinema tends to define
rubble films as simplistic texts of low artistic quality which
serve to reaffirm the spectator's image of him or herself as "a
good German" during "bad times." Yet this study asserts that some
rubble films are actually informed by a type of visual and
narrative Romantic discourse which aims at provoking a critical
discussion on German national identity and its reconstruction in
the aftermath of the Third Reich. Considering the lack of previous
analyses with regard to the key aspects of Romantic visual style,
narration and literary motifs in rubble films, this study points to
a major gap in research.
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