Moving image culture seems to privilege the instantly identifiable:
the recognisable face, the well-timed stunt, the perfectly
synchronised line of dialogue. Yet perfect, in-focus visibility
does not come naturally to the moving image. Pursuing a range of
approaches (from aesthetics to phenomenology to production
studies), the authors in this volume actively explore moving images
in states of decay, distortion, indistinctness and fragmentation,
while drawing upon key theoretical themes including affect,
embodiment, visual signification and'legibility'.
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