Garcilaso de la Vega and the Material Culture of Renaissance
Europe examines the role of cultural objects in the lyric poetry of
Garcilaso de la Vega, the premier poet of sixteenth-century Spain.
As a pioneer of the "new poetry" of Renaissance Europe, aligned
with the court, empire, and modernity, Garcilaso was fully attuned
to the collection and circulation of luxury artefacts and other
worldly goods. In his poems, a variety of objects, including
tapestries, paintings, statues, urns, mirrors, and relics
participate in lyric acts of discovery and self-revelation, reveal
memory as contingent and unstable, expose knowledge of the self as
deceptive, and show how history intersects with the ideology of
empire.
Mary E. Barnard's study argues persuasively that the material
culture of early sixteenth-century Europe embedded within
Garcilaso's poems offers a key to understanding the interplay
between objects and texts that make those works such vibrant
inventions.
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