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How a Revolutionary Art Became Official Culture - Murals, Museums, and the Mexican State (Paperback, New)
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How a Revolutionary Art Became Official Culture - Murals, Museums, and the Mexican State (Paperback, New)
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A public art movement initiated by the postrevolutionary state,
Mexican muralism has long been admired for its depictions of
popular struggle and social justice. Mary K. Coffey revises
traditional accounts of Mexican muralism by describing how a
radical art movement was transformed into official culture,
ultimately becoming a tool of state propaganda. Analyzing the
incorporation of mural art into Mexico's most important public
museums—the Palace of Fine Arts, the National History Museum, and
the National Anthropology Museum—Coffey illuminates the
institutionalization of muralism and the political and aesthetic
issues it raised. She focuses on the period between 1934, when
José Clemente Orozco and Diego Rivera were commissioned to create
murals in the Palace of Fine Arts, through the crisis of state
authority in the 1960s. Coffey highlights a reciprocal relationship
between Mexico's mural art and its museums. Muralism shaped
exhibition practices, which affected the politics, aesthetics, and
reception of mural art. Interpreting the iconography of Mexico's
murals, she focuses on representations of mestizo identity, the
preeminent symbol of postrevolutionary Mexico. Coffey argues that
those gendered representations reveal a national culture project
more invested in race and gender inequality than in race and class
equality.
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