This volume brings philosophers, art historians, intellectual
historians, and literary scholars together to argue for the
philosophical significance of Michael Fried's art history and
criticism. It demonstrates that Fried's work on modernism, artistic
intention, the ontology of art, theatricality, and
anti-theatricality can throw new light on problems in and beyond
philosophical aesthetics. Featuring an essay by Fried and articles
from world-leading scholars, this collection engages with
philosophical themes from Fried's texts, and clarifies the
relevance to his work of philosophers such as Ludwig Wittgenstein,
Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto,
George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel,
Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice
Merleau-Ponty, Roland Barthes, Jacques Ranciere, and Soren
Kierkegaard. As it makes a case for the importance of Fried for
philosophy, this volume contributes to current debates in analytic
and continental aesthetics, philosophy of action, philosophy of
history, political philosophy, modernism studies, literary studies,
and art theory.
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