Contending that criticism of Marlowe's plays has been limited by
humanist conceptions of tragedy, this book engages with trauma
theory, especially psychoanalytic trauma theory, to offer a fresh
critical perspective within which to make sense of the tension in
Marlowe's plays between the tragic and the traumatic. The author
argues that tragedies are trauma narratives, narratives of
wounding; however, in Marlowe's plays, a traumatic aesthetics
disrupts the closure that tragedy seeks to enact. Martin's fresh
reading of Massacre at Paris, which is often dismissed by critics
as a bad tragedy, presents the play as deliberately breaking the
conventions of the tragic genre in order to enact a traumatic
aesthetics that pulls its audience into one of the early modern
period's most notorious collective traumatic events, the massacre
of French Huguenots in Paris in 1572. The chapters on Marlowe's six
other plays similarly argue that throughout Marlowe's drama tragedy
is held in tension with-and disrupted by-the aesthetics of trauma.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Studies in Performance and Early Modern Drama |
Release date: |
December 2019 |
First published: |
2015 |
Authors: |
Mathew R. Martin
|
Dimensions: |
234 x 156mm (L x W) |
Format: |
Paperback
|
Pages: |
202 |
ISBN-13: |
978-0-367-88015-6 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
|
LSN: |
0-367-88015-6 |
Barcode: |
9780367880156 |
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