This book offers a pioneering study of Asian cultures that
officially escaped from French colonisation but nonetheless were
steeped in French civilisation in the colonial era and had heavily
French-influenced, largely francophone literatures. It raises a
number of provocative questions, including whether colonisation is
the ultimate requirement for a culture's being defined as
francophone, or how to think about francophone literatures that
emerge from Asian nations that were historically free from French
domination. The ultimate result is a redefining of the Asian
francophone heritage according to new, transnational paradigms.
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